Artist profile
Martin Roth is a progressive house producer and DJ known for his work in the genre's deeper, more textural variants. His productions emphasize layered soundscapes and evolving arrangements typical of the progressive house tradition.
Compare with another artistPlan a set with Martin Roth tracks scored against the rest of the catalog
Martin Roth is a moderate-energy with strong groove artist.
Sits right in the typical Deep House pocket.
Across 17 analysed tracks, Martin Roth averages 79% groove — straighter than 68% of individual Deep House tracks — and 48% energy, harder than 58%.
Measured against 22,124 Deep House tracks on 11 August 2026.
How Martin Roth’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Deep House tempo.
Across Martin Roth's catalog, tempos have climbed from ~122 to ~128 BPM; warmth has receded; vocal content has increased.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Martin Roth’s 17 analysed tracks and every track by 12,460 other artists. 646 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
38 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 9 different Martin Roth tracks.
Mel → Tides Of Fortune · 4A → 3B · +2 BPM · 90 chemistry
36 of the 646 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 7 different Martin Roth tracks.
Watermelon Sugar → Whem Bhem · 9A → 9A · same BPM · 93 chemistry
32 of the 663 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 10 different Martin Roth tracks.
Keep It Movin - Extended Mix → Bajo El Cielo Azul (Sarkis Mikael Remix) · 8A → 8A · same BPM · 92 chemistry
31 of the 612 transitions between these catalogues reach 80 chemistry. Chance would give 3.5. They come from 8 different Martin Roth tracks.
Keep It Movin - Extended Mix → Dream Status · 8A → 8A · same BPM · 91 chemistry
35 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 6 different Martin Roth tracks.
The Song That Plays At The End Of Your Childhood - Extended Mix → Busy · 6A → 6A · +2 BPM · 90 chemistry
34 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 6 different Martin Roth tracks.
The Song That Plays At The End Of Your Childhood - Extended Mix → Into The Red Sky feat. Aya - Migs Extended Salty Touch Dub · 6A → 6A · same BPM · 93 chemistry
38 of the 544 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 6 different Martin Roth tracks.
The Song That Plays At The End Of Your Childhood - Extended Mix → Cute Catto · 6A → 6A · same BPM · 92 chemistry
34 of the 425 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 8 different Martin Roth tracks.
Keep It Movin - Extended Mix → Think Clearly · 8A → 8A · same BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Martin Roth by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Martin Roth, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Martin Roth's tracks in our catalog range from 71 to 164 BPM, with a median of 120 BPM. Across 17 tracks, the most common range falls in the 120–125 BPM bucket.
Martin Roth's tracks are mostly in minor keys (76% minor across 17 tracks). The most common single key is 9A (E Minor) with 3 tracks.
We scored every transition between Martin Roth's 17 analysed tracks and every track by 12,460 other artists. 646 catalogues clear the bar by more than chance would give, and Death on the Balcony, Eli Nissan, Hraach are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Mel into Tides Of Fortune, 4A to 3B, 90 chemistry.
Martin Roth sits closest to Solarity, Leaving Laurel, Genix in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Martin Roth releases spanning 2012 to 2025, with the most tracks from the 2010s.