Artist profile
Above & Beyond is a British electronic music group known for their work in trance and progressive house. The trio has built a prolific career producing and performing across multiple decades, establishing themselves as key figures in the trance and electronic dance music landscape.
Compare with another artistPlan a set with Above & Beyond tracks scored against the rest of the catalog
Above & Beyond is a high-energy with strong groove and drive and a balanced bright/warm production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 152 analysed tracks, Above & Beyond sits within a few points of the Trance (Main Floor) median on energy and groove.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
Most tracks sit between 65–176 BPM with a median of 128 · predominantly minor keys (60% minor) · most common key: 2A (E♭ Minor) with 13 tracks.
How Above & Beyond’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Across Above & Beyond's catalog, warmth has receded; tempos have eased from ~133 to ~129 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Above & Beyond’s 40 analysed tracks and every track by 12,460 other artists. 500 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
65 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 22 different Above & Beyond tracks.
React - Extended Mix → Skin · 6A → 6A · −2 BPM · 91 chemistry
67 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 19 different Above & Beyond tracks.
Thing Called Love feat. Richard Bedford - Oliver Heldens Extended Mix → An Autumn Tale · 2A → 2A · same BPM · 92 chemistry
82 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 20 different Above & Beyond tracks.
Sahara Love feat. Zoe Johnston - Jason Ross Extended Mix → Sundown - Adip Kiyoi Extended Remix · 11B → 11B · −2 BPM · 93 chemistry
75 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Above & Beyond tracks.
Flying By Candlelight feat. Marty Longstaff → Otherworld - Extended Mix · 2A → 2A · +1 BPM · 89 chemistry
73 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Above & Beyond tracks.
Fly To New York feat. Zoe Johnston - Above & Beyond vs. Jason Ross Club Mix → I'll Be There For You - Extended Mix · 8B → 8B · same BPM · 90 chemistry
76 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Above & Beyond tracks.
You Got To Believe feat. Zoe Johnston → Inside · 6B → 6B · −2 BPM · 91 chemistry
77 of the 1,400 transitions between these catalogues reach 80 chemistry. Chance would give 8.0. They come from 24 different Above & Beyond tracks.
Thing Called Love feat. Richard Bedford - Oliver Heldens Extended Mix → Cali - Extended Mix · 2A → 2A · −2 BPM · 91 chemistry
77 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Above & Beyond tracks.
Sahara Love feat. Zoe Johnston - Jason Ross Extended Mix → September feat. London Thor - Extended Mix · 11B → 12A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Above & Beyond by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Above & Beyond, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Above & Beyond's tracks in our catalog range from 65 to 176 BPM, with a median of 128 BPM. Across 152 tracks, the most common range falls in the 130–135 BPM bucket.
Above & Beyond's tracks are mostly in minor keys (60% minor across 152 tracks). The most common single key is 2A (E♭ Minor) with 13 tracks.
We scored every transition between Above & Beyond's 40 analysed tracks and every track by 12,460 other artists. 500 catalogues clear the bar by more than chance would give, and ALPHA 9, Beat Service, Eximinds are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: React - Extended Mix into Skin, 6A to 6A, 91 chemistry.
Above & Beyond sits closest to Oliver Smith, Andrew Bayer, Above & Beyond Feat Richard Bedford in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Above & Beyond releases spanning 2002 to 2026, with the most tracks from the 2010s.