Artist profile
Electronica producer and DJ.
Compare with another artistPlan a set with Leaving Laurel tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Leaving Laurel is a moderate-energy with strong drive artist.
Sits right in the typical Electronica pocket.
Across 19 analysed tracks, Leaving Laurel averages 59% energy — harder than 82% of individual Electronica tracks.
Measured against 14,430 Electronica tracks on 11 August 2026.
Most tracks sit between 79–134 BPM with a median of 124 · predominantly major keys (37% minor) · most common key: 10B (D Major) with 3 tracks.
How Leaving Laurel’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Electronica tempo.
Across Leaving Laurel's catalog, tempos have climbed from ~106 to ~119 BPM; energy has eased; groove has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Leaving Laurel’s 19 analysed tracks and every track by 12,460 other artists. 49 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
16 of the 418 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 6 different Leaving Laurel tracks.
fireflies (for as far as we could see) - extended mix → Echoes of the Past · 10B → 10B · −2 BPM · 88 chemistry
17 of the 665 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 7 different Leaving Laurel tracks.
the family we find → Just · 8B → 7A · −4 BPM · 85 chemistry
14 of the 456 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 6 different Leaving Laurel tracks.
our lives entwined - extended mix → Dark Of The Night · 3B → 4A · same BPM · 87 chemistry
16 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 8 different Leaving Laurel tracks.
the family we find → AEI · 8B → 10A · −1 BPM · 88 chemistry
20 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 8 different Leaving Laurel tracks.
we carried one another - extended mix → Ashen · 2A → 3A · +2 BPM · 88 chemistry
16 of the 684 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 5 different Leaving Laurel tracks.
sometimes it's scary but it's still just you and me - Extended Mix → Cybernova - Extended Mix · 2B → 1B · same BPM · 87 chemistry
15 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 9 different Leaving Laurel tracks.
better days will come → Repetition 3D (Binaural Version - Headphones Only) feat. James Yorkston · 10B → 10B · −3 BPM · 88 chemistry
15 of the 627 transitions between these catalogues reach 80 chemistry. Chance would give 3.6. They come from 9 different Leaving Laurel tracks.
It's Never The Last (Things Never Last) - Extended Mix → Blinding · 8A → 8A · +2 BPM · 85 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Leaving Laurel by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Leaving Laurel, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Leaving Laurel's tracks in our catalog range from 79 to 134 BPM, with a median of 124 BPM. Across 19 tracks, the most common range falls in the 125–130 BPM bucket.
Leaving Laurel's tracks are mostly in major keys (37% minor across 19 tracks). The most common single key is 10B (D Major) with 3 tracks.
We scored every transition between Leaving Laurel's 19 analysed tracks and every track by 12,460 other artists. 49 catalogues clear the bar by more than chance would give, and Arude, Bicep, Grigoré are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: fireflies (for as far as we could see) - extended mix into Echoes of the Past, 10B to 10B, 88 chemistry.
Leaving Laurel sits closest to Jon Gurd, Ezequiel Arias, Maty Owl in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Leaving Laurel releases spanning 2020 to 2026, with the most tracks from the 2020s.
