Artist profile
Mark Sherry is a trance producer and DJ known for his work in the progressive and uplifting trance space. His productions and DJ sets emphasize melodic elements and driving rhythms characteristic of the genre.
Compare with another artistPlan a set with Mark Sherry tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Mark Sherry is a high-energy and a balanced bright/warm production — vocal-forward artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 100 analysed tracks, Mark Sherry averages 45% groove — straighter than 74% of individual Trance (Main Floor) tracks.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
Most tracks sit between 105–150 BPM with a median of 138 · predominantly minor keys (51% minor) · most common key: 11B (A Major) with 15 tracks.
How Mark Sherry’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Mark Sherry's sound has stayed broadly consistent across this catalog window — release tempos and production palette have held to the same character.
![Rave Is Life [We Play It Loud] - Alex Di Stefano Extended Remix album art](https://i.scdn.co/image/ab67616d0000b273f713e735b91296c2178a75a5)
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We scored every transition between Mark Sherry’s 40 analysed tracks and every track by 12,460 other artists. 599 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
122 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Mark Sherry tracks.
Here Come the Drums - Sean Tyas Remix → Crystal Eyes - Steve Dekay Extended Remix · 1B → 1B · −2 BPM · 90 chemistry
107 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Mark Sherry tracks.
I Will Find You - James Dymond Extended Remix → Bittersweet - Temple One Remix · 9A → 9A · same BPM · 90 chemistry
130 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Mark Sherry tracks.
Other Worlds - Extended Mix → All That There Is - Extended Mix · 12B → 12B · same BPM · 93 chemistry
117 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 34 different Mark Sherry tracks.
Here Come the Drums - Sean Tyas Remix → Azuremyst · 1B → 2A · same BPM · 91 chemistry
105 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 28 different Mark Sherry tracks.
Space People - Extended Mix → Deep Impact - Extended Mix · 8A → 8A · same BPM · 88 chemistry
105 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Mark Sherry tracks.
Rave Is Life [We Play It Loud] - Alex Di Stefano Extended Remix → RAMore - Daniel Skyver Remix · 4A → 4A · −2 BPM · 91 chemistry
115 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different Mark Sherry tracks.
How Can I - Outburst Vocal Mix → Won't Forget These Days · 8A → 8A · +1 BPM · 92 chemistry
105 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Mark Sherry tracks.
Rave Is Life [We Play It Loud] - Alex Di Stefano Extended Remix → Far from You · 4A → 4A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mark Sherry by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mark Sherry, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mark Sherry's tracks in our catalog range from 105 to 150 BPM, with a median of 138 BPM. Across 100 tracks, the most common range falls in the 140–145 BPM bucket.
Mark Sherry's tracks are mostly in minor keys (51% minor across 100 tracks). The most common single key is 11B (A Major) with 15 tracks.
We scored every transition between Mark Sherry's 40 analysed tracks and every track by 12,460 other artists. 599 catalogues clear the bar by more than chance would give, and DJ T.H., Driftmoon, Kaimo K are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Here Come the Drums - Sean Tyas Remix into Crystal Eyes - Steve Dekay Extended Remix, 1B to 1B, 90 chemistry.
Mark Sherry sits closest to Will Atkinson, David Forbes, Driftmoon in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Mark Sherry releases spanning 2006 to 2026, with the most tracks from the 2020s.