Artist profile
Electronica producer and DJ.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with LFO tracks scored against the rest of the catalog
LFO is a restrained artist.
Sits right in the typical Electronica pocket.
Across 16 analysed tracks, LFO averages 34% energy — gentler than 80% of individual Electronica tracks.
Measured against 14,430 Electronica tracks on 11 August 2026.
Most tracks sit between 68–140 BPM with a median of 124 · predominantly minor keys (50% minor) · most common key: 2A (E♭ Minor) with 3 tracks.
How LFO’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Electronica tempo.
Across LFO's catalog, warmth has lifted; production has darkened; tempos have eased from ~113 to ~106 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between LFO’s 16 analysed tracks and every track by 12,460 other artists. 11 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
11 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 4 different LFO tracks.
Probe → How Far Do We Go · 12A → 12A · +2 BPM · 85 chemistry
10 of the 528 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 3 different LFO tracks.
L.F.O. → Battle Creek · 6A → 7B · +1 BPM · 86 chemistry
11 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 5 different LFO tracks.
Loop → Pump The Move · 2A → 2A · −1 BPM · 89 chemistry
12 of the 432 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different LFO tracks.
16 of the 624 transitions between these catalogues reach 80 chemistry. Chance would give 3.6. They come from 5 different LFO tracks.
10 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different LFO tracks.
11 of the 512 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 6 different LFO tracks.
Tied Up → So Com Voce · 9B → 10A · −5 BPM · 81 chemistry
10 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 5 different LFO tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to LFO by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around LFO, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
LFO's tracks in our catalog range from 68 to 140 BPM, with a median of 124 BPM. Across 16 tracks, the most common range falls in the 125–130 BPM bucket.
LFO's tracks are mostly in minor keys (50% minor across 16 tracks). The most common single key is 2A (E♭ Minor) with 3 tracks.
We scored every transition between LFO's 16 analysed tracks and every track by 12,460 other artists. 11 catalogues clear the bar by more than chance would give, and Drunken Kong, Greg Gow, Kevin Saunderson are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Probe into How Far Do We Go, 12A to 12A, 85 chemistry.
LFO sits closest to Sweet Exorcist, B12, Musicology in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has LFO releases spanning 1990 to 2003, with the most tracks from the 1990s.