Artist profile
Thievery Corporation is an electronic duo known for blending downtempo, dub, and world music influences into atmospheric soundscapes. Based in Washington, D.C., the group has built a distinctive aesthetic around intricate production and guest vocal collaborations across multiple releases.
Compare with another artistPlan a set with Thievery Corporation tracks scored against the rest of the catalog
Thievery Corporation is a restrained and a warm production artist.
Sits right in the typical Electronica pocket.
Across 32 analysed tracks, Thievery Corporation averages 33% energy — gentler than 84% of individual Electronica tracks — and 55% groove, groovier than 56%.
Measured against 14,430 Electronica tracks on 11 August 2026.
Most tracks sit between 72–160 BPM with a median of 101 · predominantly minor keys (69% minor) · most common key: 8A (A Minor) with 11 tracks.
How Thievery Corporation’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Electronica tempo.
Across Thievery Corporation's catalog, groove has deepened; tempos have climbed from ~98 to ~106 BPM; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Thievery Corporation’s 32 analysed tracks and every track by 12,460 other artists. 207 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
34 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 17 different Thievery Corporation tracks.
Transcendence → Bu-Seki · 5A → 6A · +1 BPM · 86 chemistry
38 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 17 different Thievery Corporation tracks.
56 of the 384 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 17 different Thievery Corporation tracks.
The Glass Bead Game → Esta Noche · 8A → 8A · +3 BPM · 89 chemistry
46 of the 704 transitions between these catalogues reach 80 chemistry. Chance would give 4.0. They come from 21 different Thievery Corporation tracks.
Lebanese Blonde → The One-Tet · 8A → 7B · +13 BPM · 85 chemistry
39 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 16 different Thievery Corporation tracks.
39 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 25 different Thievery Corporation tracks.
Illumination → Tapestry · 4A → 3B · +2 BPM · 85 chemistry
64 of the 1,248 transitions between these catalogues reach 80 chemistry. Chance would give 7.2. They come from 25 different Thievery Corporation tracks.
Guide For I And I → Crazy Wisdom - Live Los Angeles 31.1.1985 · 8A → 8A · −5 BPM · 87 chemistry
61 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 22 different Thievery Corporation tracks.
Samba Tranquille → China Bar · 8A → 8B · −1 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Thievery Corporation by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Thievery Corporation, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Thievery Corporation's tracks in our catalog range from 72 to 160 BPM, with a median of 101 BPM. Across 32 tracks, the most common range falls in the 100–105 BPM bucket.
Thievery Corporation's tracks are mostly in minor keys (69% minor across 32 tracks). The most common single key is 8A (A Minor) with 11 tracks.
We scored every transition between Thievery Corporation's 32 analysed tracks and every track by 12,460 other artists. 207 catalogues clear the bar by more than chance would give, and DJ Krush, Ellen Allien, Federico Aubele are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Transcendence into Bu-Seki, 5A to 6A, 86 chemistry.
Thievery Corporation sits closest to The Karminsky Experience Inc, The Funky Lowlives, A Forest Mighty Black in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Thievery Corporation releases spanning 1996 to 2008, with the most tracks from the 2000s.