Artist profile
Kings of Tomorrow is a house music project known for deep, soulful productions rooted in New York house tradition. The project has maintained a consistent presence in electronic music across two decades, contributing to the genre's evolution through DJ sets and studio work.
Compare with another artistPlan a set with Kings Of Tomorrow tracks scored against the rest of the catalog
Kings Of Tomorrow is a moderate-energy with strong groove and drive and a bright production — mostly instrumental artist.
Sits right in the typical House pocket.
Across 22 analysed tracks, Kings Of Tomorrow averages 78% groove — straighter than 61% of individual House tracks.
Measured against 20,959 House tracks on 11 August 2026.
How Kings Of Tomorrow’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical House tempo.
Across Kings Of Tomorrow's catalog, energy has lifted; warmth has receded; production has darkened.


Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Kings Of Tomorrow’s 22 analysed tracks and every track by 12,460 other artists. 2,151 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
103 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 18 different Kings Of Tomorrow tracks.
Burn So Deep feat. April - Sandy's Disco Burn → Stay With Me · 10A → 9A · −1 BPM · 92 chemistry
148 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 15 different Kings Of Tomorrow tracks.
Finally feat. Julie McKnight - Dario D'Attis Extended Remix → Trick Mixing - Extended Mix · 8B → 8B · same BPM · 93 chemistry
106 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 17 different Kings Of Tomorrow tracks.
REACH → TELL ME - Quentin Harris Re-Production · 8A → 8A · same BPM · 92 chemistry
96 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 16 different Kings Of Tomorrow tracks.
Finally - Sonny Fodera Remix → Fair And Square · 8A → 8A · same BPM · 91 chemistry
99 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 15 different Kings Of Tomorrow tracks.
Finally feat. Julie McKnight - Dario D'Attis Extended Remix → Music Is My Life - Masters At Work Extended Remix · 8B → 8B · same BPM · 89 chemistry
130 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 17 different Kings Of Tomorrow tracks.
REACH → It's What We Live, It's What We Are - KenLou Mix · 8A → 8A · same BPM · 90 chemistry
111 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 15 different Kings Of Tomorrow tracks.
Never Knew - Sandy Rivera's Classic Mix → Ooh La La La - Extended Mix · 8A → 7A · same BPM · 92 chemistry
86 of the 836 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 18 different Kings Of Tomorrow tracks.
Never Knew - Sandy Rivera's Classic Mix → What's Mine Is Mine - 3AM Dream Mix · 8A → 7B · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Kings Of Tomorrow by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Kings Of Tomorrow, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Kings Of Tomorrow's tracks in our catalog range from 119 to 149 BPM, with a median of 124 BPM. Across 22 tracks, the most common range falls in the 125–130 BPM bucket.
Kings Of Tomorrow's tracks are mostly in minor keys (64% minor across 22 tracks). The most common single key is 8B (C Major) with 6 tracks.
We scored every transition between Kings Of Tomorrow's 22 analysed tracks and every track by 12,460 other artists. 2,151 catalogues clear the bar by more than chance would give, and col lawton, Daniel Steinberg, David Morales are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Burn So Deep feat. April - Sandy's Disco Burn into Stay With Me, 10A to 9A, 92 chemistry.
Kings Of Tomorrow sits closest to Sandy Rivera, Dennis Ferrer, Julien Jabre in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Kings Of Tomorrow releases spanning 2000 to 2024, with the most tracks from the 2010s.