Artist profile
Masters At Work is a house music production and DJ duo known for their work in deep house and garage house styles. The pair established themselves through releases and remixes that emphasized soulful, percussive arrangements and vocal-driven tracks rooted in New York house tradition.
Compare with another artistPlan a set with Masters At Work tracks scored against the rest of the catalog
Masters At Work is a moderate-energy with strong groove and a bright production — mostly instrumental artist.
Sits right in the typical House pocket.
Across 45 analysed tracks, Masters At Work averages 43% energy — gentler than 75% of individual House tracks.
Measured against 20,959 House tracks on 11 August 2026.
How Masters At Work’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical House tempo.
Across Masters At Work's catalog, energy has lifted; production has darkened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Masters At Work’s 40 analysed tracks and every track by 12,460 other artists. 3,126 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
230 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Masters At Work tracks.
207 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Masters At Work tracks.
Gene's First Bass Dub → TELL ME - Quentin Harris Re-Production · 8A → 8A · +1 BPM · 92 chemistry
175 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Masters At Work tracks.
Bring It To The Light → 1 For The Muchachos · 7A → 7A · same BPM · 93 chemistry
204 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different Masters At Work tracks.
It's What We Live, It's What We Are - KenLou Mix → Drama feat. Rimarkable feat. Dope Earth Alien - Extended Mix · 8A → 8A · +2 BPM · 93 chemistry
160 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 34 different Masters At Work tracks.
Gene's First Bass Dub → I Need Your Help · 8A → 8A · +2 BPM · 92 chemistry
179 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 35 different Masters At Work tracks.
Backfired feat. India - Album Version → Woman - Frankie C Brazilian Main Mix · 8A → 8A · +1 BPM · 93 chemistry
168 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Masters At Work tracks.
Lost Jig → Don't You Know · 11B → 11B · −1 BPM · 90 chemistry
199 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Masters At Work tracks.
Happy → Someone Like You · 5A → 5A · +2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Masters At Work by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Masters At Work, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Masters At Work's tracks in our catalog range from 82 to 128 BPM, with a median of 123 BPM. Across 45 tracks, the most common range falls in the 125–130 BPM bucket.
Masters At Work's tracks are mostly in minor keys (80% minor across 45 tracks). The most common single key is 8A (A Minor) with 7 tracks.
We scored every transition between Masters At Work's 40 analysed tracks and every track by 12,460 other artists. 3,126 catalogues clear the bar by more than chance would give, and Daniel Steinberg, David Morales, DJ Sneak are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: MAW AI into I Saw You, 10A to 9A, 91 chemistry.
Masters At Work sits closest to Louie Vega, Kerri Chandler, Mood II Swing in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Masters At Work releases spanning 1989 to 2022, with the most tracks from the 1990s.