Artist profile
Kim English is a UK garage and bassline producer working within the contemporary electronic music landscape. Their work engages with the rhythmic and textural elements characteristic of the genre.
Compare with another artistPlan a set with Kim English tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Kim English is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical House pocket.
Across 17 analysed tracks, Kim English averages 42% energy — gentler than 78% of individual House tracks.
Measured against 20,959 House tracks on 11 August 2026.
Most tracks sit between 68–156 BPM with a median of 125 · predominantly minor keys (71% minor) · most common key: 3A (B♭ Minor) with 4 tracks.
How Kim English’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical House tempo.
Across Kim English's catalog, tempos have climbed from ~97 to ~135 BPM; energy has lifted; groove has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Kim English’s 17 analysed tracks and every track by 12,460 other artists. 349 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
43 of the 663 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 12 different Kim English tracks.
Tomorrow - Todd Edwards Extended Club Version → Numbers · 8B → 8B · +1 BPM · 89 chemistry
51 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 12 different Kim English tracks.
Treat Me Right - Distant Music Mix → I Saw You · 9A → 9A · +1 BPM · 89 chemistry
45 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 9 different Kim English tracks.
Tomorrow - Todd Edwards Extended Club Version → The Nightlife - Club Mix - Extended · 8B → 8B · −1 BPM · 91 chemistry
40 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 9 different Kim English tracks.
Been so Long - Wamdue Speakeasy Remix → It's You · 4A → 4A · same BPM · 90 chemistry
40 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 10 different Kim English tracks.
C'est La Vie - Hex Hector Vocal Remix → Green Eyes · 3A → 2B · same BPM · 91 chemistry
43 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 11 different Kim English tracks.
Treat Me Right - Distant Music Mix → Vince Montana Tribute - Louie Vega & Rick Wilhite Re-Work · 9A → 8A · same BPM · 92 chemistry
38 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 9 different Kim English tracks.
Higher Things → Lucky Number 7 · 4A → 4A · +1 BPM · 92 chemistry
39 of the 663 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 12 different Kim English tracks.
Unspeakable Joy - Razor N' Guido Vocal Mix → Push The Love - Seb Zito Extended Remix · 5B → 5B · −1 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Kim English by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Kim English, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Kim English's tracks in our catalog range from 68 to 156 BPM, with a median of 125 BPM. Across 17 tracks, the most common range falls in the 125–130 BPM bucket.
Kim English's tracks are mostly in minor keys (71% minor across 17 tracks). The most common single key is 3A (B♭ Minor) with 4 tracks.
We scored every transition between Kim English's 17 analysed tracks and every track by 12,460 other artists. 349 catalogues clear the bar by more than chance would give, and Alinka, Daniel Steinberg, Honey Dijon are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Tomorrow - Todd Edwards Extended Club Version into Numbers, 8B to 8B, 89 chemistry.
Kim English sits closest to Barbara Tucker, George Morel, Ultra Nate in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Kim English releases spanning 1988 to 2025, with the most tracks from the 1990s.
