Artist profile
KIDSØ is an electronica artist working across ambient, experimental, and rhythmic electronic production. The project explores textural synthesis and atmospheric sound design within contemporary electronic music.
DJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with KIDSØ tracks scored against the rest of the catalog
KIDSØ is a moderate-energy with strong groove and drive and a warm production — mostly instrumental artist.
Sits right in the typical Electronica pocket.
Across 10 analysed tracks, KIDSØ averages 67% groove — groovier than 68% of individual Electronica tracks — and 49% energy, harder than 60%.
Measured against 14,430 Electronica tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between KIDSØ’s 10 analysed tracks and every track by 12,460 other artists. 43 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
14 of the 290 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 4 different KIDSØ tracks.
13 of the 180 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 4 different KIDSØ tracks.
Far → Another Tomorrow · 9A → 8B · same BPM · 89 chemistry
14 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different KIDSØ tracks.
Freya → Sacrediliac - Club Mix · 7A → 8A · same BPM · 90 chemistry
12 of the 190 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 5 different KIDSØ tracks.
Ylva → November Nights · 11B → 12A · −1 BPM · 87 chemistry
13 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different KIDSØ tracks.
Freya → Inner World · 7A → 7A · −2 BPM · 92 chemistry
14 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different KIDSØ tracks.
Far → Air Batucada · 9A → 8A · same BPM · 90 chemistry
14 of the 200 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 5 different KIDSØ tracks.
Far → Dementamente · 9A → 8B · −3 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to KIDSØ by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around KIDSØ, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
KIDSØ's tracks in our catalog range from 83 to 160 BPM, with a median of 124 BPM. Across 10 tracks, the most common range falls in the 125–130 BPM bucket.
KIDSØ's tracks are mostly in minor keys (70% minor across 10 tracks). The most common single key is 7A (D Minor) with 2 tracks.
We scored every transition between KIDSØ's 10 analysed tracks and every track by 12,460 other artists. 43 catalogues clear the bar by more than chance would give, and Hannes Bieger, Lusine, Mano Le Tough are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Freya into Ashes, 7A to 7A, 86 chemistry.
KIDSØ sits closest to Shamuzanti Hills, Bistroboy, Bus Error in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.