Artist profile
Lusine is an electronic musician known for intricate, textural compositions that blend ambient and IDM influences. His work is characterized by detailed sound design and layered production techniques that create immersive sonic environments.
Compare with another artistPlan a set with Lusine tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Lusine is a moderate-energy with strong groove and drive and a warm production — mostly instrumental artist.
Sits right in the typical Electronica pocket.
Across 18 analysed tracks, Lusine averages 64% groove — groovier than 65% of individual Electronica tracks — and 41% energy, gentler than 62%.
Measured against 14,430 Electronica tracks on 11 August 2026.
Most tracks sit between 90–140 BPM with a median of 120 · predominantly minor keys (50% minor) · most common key: 10A (B Minor) with 3 tracks.
How Lusine’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Electronica tempo.
Across Lusine's catalog, groove has thinned; warmth has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Lusine’s 18 analysed tracks and every track by 12,460 other artists. 218 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
23 of the 288 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 9 different Lusine tracks.
Earth to Moon → Thanks For Fun · 8B → 8B · +4 BPM · 89 chemistry
21 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 10 different Lusine tracks.
Turn Back → Acid Routine · 2A → 2A · +1 BPM · 87 chemistry
20 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 11 different Lusine tracks.
By This Sound → Four Tone Reflections · 9B → 10B · +1 BPM · 88 chemistry
20 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 8 different Lusine tracks.
February → Almost Home - Agoria Remix · 10B → 10B · +2 BPM · 89 chemistry
20 of the 540 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 9 different Lusine tracks.
Eyes Give In → Best Mistake · 5B → 6A · −1 BPM · 89 chemistry
22 of the 252 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 12 different Lusine tracks.
Earth to Moon → La Perla · 8B → 9B · +4 BPM · 88 chemistry
21 of the 666 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 10 different Lusine tracks.
Transonic → Work Energy Principle · 12B → 12B · +5 BPM · 86 chemistry
20 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 11 different Lusine tracks.
Another Tomorrow → Dementamente · 8B → 8B · −3 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Lusine by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Lusine, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Lusine's tracks in our catalog range from 90 to 140 BPM, with a median of 120 BPM. Across 18 tracks, the most common range falls in the 120–125 BPM bucket.
Lusine's tracks are mostly in minor keys (50% minor across 18 tracks). The most common single key is 10A (B Minor) with 3 tracks.
We scored every transition between Lusine's 18 analysed tracks and every track by 12,460 other artists. 218 catalogues clear the bar by more than chance would give, and Applescal, Benjamin Fröhlich, Max Cooper are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Earth to Moon into Thanks For Fun, 8B to 8B, 89 chemistry.
Lusine sits closest to Lusine Icl, Telefon Tel Aviv, Ochre in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Lusine releases spanning 2005 to 2023, with the most tracks from the 2010s.
