Artist profile
Heaven's Cry
Heaven's Cry is a trance producer working in the main floor and progressive trance space. Their work emphasizes atmospheric builds and melodic elements characteristic of contemporary trance production.
Sound profile
Heaven's Cry is a high-energy with strong groove and drive and a balanced bright/warm production artist.
Tracks in catalog
7 total · sortable
Track | BPM · Key | Actions |
|---|---|---|
 Til Tears Do Us Part - Stimulator Remix Heaven's Cry | 1387BF Major | |
 Fusion - Extended Mix Heaven's Cry | 699AE Minor | |
 Til Tears Do Us Part - Sean Tyas Extended Remix Heaven's Cry | 14312AC♯ Minor | |
 Voices - Extended Mix Heaven's Cry | 13812AC♯ Minor | |
 Phunk - Stimulator Extended Mix Heaven's Cry | 1389AE Minor | |
 Binary - Extended Mix Heaven's Cry | 1388AA Minor | |
 Raw - Extended Mix Heaven's Cry | 1384AF Minor |
Release volume by decade
Related artists
Top 15 by similarityDJs and producers whose tracks blend naturally with Heaven's Cry’s — similar scenes, adjacent production styles, overlapping audiences. Useful when you’re prepping a set around Heaven's Cry and need adjacent tracks that won’t feel out of place. Eligible names link to their own page.
FAQ
What BPM does Heaven's Cry play at?
Heaven's Cry's tracks in our catalog range from 69 to 143 BPM, with a median of 138 BPM. Across 7 tracks, the most common range falls in the 140–145 BPM bucket.
What key are Heaven's Cry's tracks in?
Heaven's Cry's tracks are mostly in minor keys (86% minor across 7 tracks). The most common single key is 9A (E Minor) with 2 tracks.
What artists mix well with Heaven's Cry?
Based on harmonic compatibility, tempo proximity and artist-cohort context, Heaven's Cry pairs well with Guyver, Crw Feat Veronika, Paul Glazby. The full list — with track counts in our catalog and similarity scores — is in the Related Artists section above.
Keep exploring
Plan a set with Heaven's Cry tracks scored against the rest of the catalog
Heaven's Cry on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
