Artist profile
Furniss is a drum and bass producer working within the genre's electronic landscape. Their work engages with the technical and rhythmic foundations characteristic of the drum and bass sound.
Compare with another artistPlan a set with Furniss tracks scored against the rest of the catalog
Furniss is a high-energy and a bright production — mostly instrumental artist.
Sits right in the typical Drum & Bass pocket.
Across 9 analysed tracks, Furniss averages 70% energy — harder than 78% of individual Drum & Bass tracks — and 35% groove, straighter than 69%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Furniss’s 8 analysed tracks and every track by 12,460 other artists. 553 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
70 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Furniss tracks.
63 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Furniss tracks.
Jacked Up → Dead Stock · 7B → 7B · same BPM · 93 chemistry
66 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Furniss tracks.
Jacked Up → Caught In A Trap · 7B → 7B · same BPM · 90 chemistry
62 of the 280 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 8 different Furniss tracks.
Jacked Up → Beware Feat Coppa · 7B → 7B · −1 BPM · 91 chemistry
63 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Furniss tracks.
Jacked Up → Ultralight - A.M.C Remix · 7B → 7B · same BPM · 93 chemistry
62 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Furniss tracks.
Jacked Up → Rocket Fuel · 7B → 7B · same BPM · 92 chemistry
68 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Furniss tracks.
Jacked Up → The Calling VIP · 7B → 8B · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Furniss by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Furniss, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Furniss's tracks in our catalog range from 87 to 175 BPM, with a median of 87 BPM. Across 9 tracks, the most common range falls in the 85–90 BPM bucket.
Furniss's tracks are mostly in minor keys (56% minor across 9 tracks). The most common single key is 9A (E Minor) with 3 tracks.
We scored every transition between Furniss's 8 analysed tracks and every track by 12,460 other artists. 553 catalogues clear the bar by more than chance would give, and Alibi, Audio, Bcee are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Jacked Up into Empty, 7B to 7B, 91 chemistry.
Furniss sits closest to Critical Impact, DJ Limited, Harley D in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.