Artist profile
Drum & Bass producer and DJ.
Compare with another artistPlan a set with Paul T & Edward Oberon tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Paul T & Edward Oberon is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 15 analysed tracks, Paul T & Edward Oberon averages 45% groove — groovier than 59% of individual Drum & Bass tracks.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
How Paul T & Edward Oberon’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across Paul T & Edward Oberon's catalog, tempos have eased from ~116 to ~88 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Paul T & Edward Oberon’s 15 analysed tracks and every track by 12,460 other artists. 757 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
151 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 15 different Paul T & Edward Oberon tracks.
Wake Up → Soundsystem · 9A → 9A · −1 BPM · 93 chemistry
159 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 15 different Paul T & Edward Oberon tracks.
Look for the Light → Change · 7A → 7B · same BPM · 91 chemistry
148 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 15 different Paul T & Edward Oberon tracks.
I Don't Trust You → Is It Real? · 2A → 2A · −1 BPM · 91 chemistry
137 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 15 different Paul T & Edward Oberon tracks.
I Don't Trust You → Unnecessary · 2A → 2A · same BPM · 93 chemistry
154 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 14 different Paul T & Edward Oberon tracks.
Cherish → Hold Me Close · 6A → 6A · −1 BPM · 93 chemistry
157 of the 585 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 15 different Paul T & Edward Oberon tracks.
163 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 14 different Paul T & Edward Oberon tracks.
I Don't Trust You → Boring - DJ Mix · 2A → 2A · same BPM · 92 chemistry
149 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 15 different Paul T & Edward Oberon tracks.
Somewhere Else → Kick Off feat. MC Coppa · 9A → 9A · −2 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Paul T & Edward Oberon by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Paul T & Edward Oberon, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Paul T & Edward Oberon's tracks in our catalog range from 87 to 154 BPM, with a median of 88 BPM. Across 15 tracks, the most common range falls in the 90–95 BPM bucket.
Paul T & Edward Oberon's tracks are mostly in minor keys (67% minor across 15 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between Paul T & Edward Oberon's 15 analysed tracks and every track by 12,460 other artists. 757 catalogues clear the bar by more than chance would give, and Alibi, Amplify, Bcee are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Wake Up into Soundsystem, 9A to 9A, 93 chemistry.
Paul T & Edward Oberon sits closest to DJ Limited, Critical Impact, Think Tonk in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Paul T & Edward Oberon releases spanning 2015 to 2024, with the most tracks from the 2020s.
