Artist profile
DMX was an East Coast rapper and actor known for his gritty delivery and dark production style in hip-hop. Rising to prominence in the late 1990s, he became a major figure in rap with his debut album *It's Dark and Hell Is Hot* and subsequent releases that showcased his distinctive vocal intensity and street narratives. Beyond music, DMX appeared in films and maintained a significant presence in hip-hop culture until his death in 2021.
Compare with another artistPlan a set with DMX tracks scored against the rest of the catalog
DMX is a moderate-energy and a balanced bright/warm production — mostly instrumental artist.
Unusually high warmth for Trap / Future Bass.
Across 8 analysed tracks, DMX averages 51% energy — gentler than 71% of individual Trap / Future Bass tracks.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
How DMX’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across DMX's catalog, tempos have eased from ~99 to ~91 BPM.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between DMX’s 8 analysed tracks and every track by 12,460 other artists. 10 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
14 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different DMX tracks.
Get It On The Floor → Summer Too Hot · 11A → 10B · −4 BPM · 87 chemistry
12 of the 192 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 6 different DMX tracks.
Get It On The Floor → Numb / Encore · 11A → 11A · +13 BPM · 87 chemistry
13 of the 240 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 5 different DMX tracks.
Just in Case → YUSO · 9A → 8A · +3 BPM · 88 chemistry
10 of the 144 transitions between these catalogues reach 80 chemistry. Chance would give 0.8. They come from 3 different DMX tracks.
Ruff Ryders' Anthem → Something Like That · 3A → 2A · +5 BPM · 86 chemistry
12 of the 184 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 4 different DMX tracks.
12 of the 296 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 7 different DMX tracks.
16 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different DMX tracks.
10 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different DMX tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to DMX by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around DMX, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
DMX's tracks in our catalog range from 90 to 139 BPM, with a median of 95 BPM. Across 8 tracks, the most common range falls in the 95–100 BPM bucket.
DMX's tracks are mostly in minor keys (88% minor across 8 tracks). The most common single key is 3A (B♭ Minor) with 2 tracks.
We scored every transition between DMX's 8 analysed tracks and every track by 12,460 other artists. 10 catalogues clear the bar by more than chance would give, and Chris Brown, Jay-Z, Lil Wayne are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Get It On The Floor into Summer Too Hot, 11A to 10B, 87 chemistry.
DMX sits closest to 50 Cent, Scarface, 2Pac in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has DMX releases spanning 1999 to 2020, with the most tracks from the 2000s.