Artist profile
Chris Brown is a trap and future bass producer working across electronic and hip-hop production. His work spans instrumental production and beat-making within contemporary trap and experimental electronic music.
Compare with another artistPlan a set with Chris Brown tracks scored against the rest of the catalog
Chris Brown is a moderate-energy — mostly instrumental artist.
Sits right in the typical Trap / Future Bass pocket.
Across 64 analysed tracks, Chris Brown averages 49% energy — gentler than 75% of individual Trap / Future Bass tracks — and 46% groove, groovier than 60%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 70–153 BPM with a median of 100 · predominantly minor keys (59% minor) · most common key: 4A (F Minor) with 7 tracks.
How Chris Brown’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across Chris Brown's catalog, tempos have eased from ~112 to ~98 BPM; groove has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Chris Brown’s 40 analysed tracks and every track by 12,460 other artists. 120 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
38 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 20 different Chris Brown tracks.
Wait On It (feat. Bryson Tiller & Chris Brown) → Too Many Nights · 5B → 6A · +5 BPM · 88 chemistry
27 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 15 different Chris Brown tracks.
Ayo → Poke It Out (feat. J. Cole) · 2B → 1A · +1 BPM · 85 chemistry
37 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 25 different Chris Brown tracks.
31 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 23 different Chris Brown tracks.
Just the Bro → tv off · 10B → 10B · same BPM · 87 chemistry
35 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 20 different Chris Brown tracks.
33 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 19 different Chris Brown tracks.
Residuals → Say So - Original Version · 11B → 10B · −4 BPM · 91 chemistry
32 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 20 different Chris Brown tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Chris Brown by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Chris Brown, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Chris Brown's tracks in our catalog range from 70 to 153 BPM, with a median of 100 BPM. Across 64 tracks, the most common range falls in the 100–105 BPM bucket.
Chris Brown's tracks are mostly in minor keys (59% minor across 64 tracks). The most common single key is 4A (F Minor) with 7 tracks.
We scored every transition between Chris Brown's 40 analysed tracks and every track by 12,460 other artists. 120 catalogues clear the bar by more than chance would give, and Future, J. Cole, Kanye West are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Wait On It (feat. Bryson Tiller & Chris Brown) into Too Many Nights, 5B to 6A, 88 chemistry.
Chris Brown sits closest to Chris Brown & Tyga, Trey Songz, August Alsina in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Chris Brown releases spanning 2005 to 2026, with the most tracks from the 2020s.