Artist profile
Wiley
Grime producer and DJ.
Compare with another artistKeep exploring
Plan a set with Wiley tracks scored against the rest of the catalog
Wiley on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
Artist profile
Grime producer and DJ.
Compare with another artistPlan a set with Wiley tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Wiley is a moderate-energy and a balanced bright/warm production — mostly instrumental artist.
Sits right in the typical Grime pocket.
Across 39 analysed tracks, Wiley averages 52% groove — groovier than 73% of individual Trap / Future Bass tracks — and 53% energy, gentler than 64%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 66–150 BPM with a median of 140 · predominantly minor keys (77% minor) · most common key: 1A (A♭ Minor) with 4 tracks.
How Wiley’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Grime tempo.
Across Wiley's catalog, tempos have climbed from ~102 to ~133 BPM; warmth has receded; production has brightened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Wiley’s 39 analysed tracks and every track by 12,460 other artists. 365 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
37 of the 936 transitions between these catalogues reach 80 chemistry. Chance would give 5.4. They come from 11 different Wiley tracks.
She Wants the Beat → Duckin N Divin · 11A → 11A · +2 BPM · 90 chemistry
51 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 15 different Wiley tracks.
Talent → The Engineers · 5A → 6A · −2 BPM · 87 chemistry
41 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 20 different Wiley tracks.
Gunfingers feat. JME and Wiley → Savage · 4A → 4A · same BPM · 91 chemistry
43 of the 663 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 15 different Wiley tracks.
Bar (feat. Scratchy & D Double E) → Pow · 10A → 10A · same BPM · 92 chemistry
39 of the 1,248 transitions between these catalogues reach 80 chemistry. Chance would give 7.2. They come from 23 different Wiley tracks.
Fashion Week → Oh My Gatos! · 10A → 10A · −1 BPM · 91 chemistry
39 of the 1,053 transitions between these catalogues reach 80 chemistry. Chance would give 6.0. They come from 16 different Wiley tracks.
She Wants the Beat → Impervious · 11A → 11A · +2 BPM · 90 chemistry
41 of the 1,248 transitions between these catalogues reach 80 chemistry. Chance would give 7.2. They come from 22 different Wiley tracks.
Talent → Kiss and Tell · 5A → 5A · +1 BPM · 93 chemistry
49 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 13 different Wiley tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Wiley by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Wiley, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Wiley's tracks in our catalog range from 66 to 150 BPM, with a median of 140 BPM. Across 39 tracks, the most common range falls in the 140–145 BPM bucket.
Wiley's tracks are mostly in minor keys (77% minor across 39 tracks). The most common single key is 1A (A♭ Minor) with 4 tracks.
We scored every transition between Wiley's 39 analysed tracks and every track by 12,460 other artists. 365 catalogues clear the bar by more than chance would give, and Dalek One, ENiGMA Dubz, Flowdan are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: She Wants the Beat into Duckin N Divin, 11A to 11A, 90 chemistry.
Wiley sits closest to Jme, D Double E, Roll Deep in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Wiley releases spanning 1971 to 2026, with the most tracks from the 2010s.
