Artist profile
Dedman is a producer and artist working in deep dubstep and grime, contributing to the darker, bass-heavy end of UK electronic music. His work emphasizes atmospheric production and rhythmic intensity characteristic of the 140 BPM sound.
Compare with another artistPlan a set with Dedman tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Dedman is a moderate-energy artist.
Unusually high vocal presence for 140 / Deep Dubstep / Grime.
Across 14 analysed tracks, Dedman averages 52% groove — groovier than 79% of individual 140 / Deep Dubstep / Grime tracks.
Measured against 4,816 140 / Deep Dubstep / Grime tracks on 11 August 2026.
Most tracks sit between 70–140 BPM with a median of 113 · predominantly minor keys (86% minor) · most common key: 4A (F Minor) with 3 tracks.
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We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Dedman’s 14 analysed tracks and every track by 12,460 other artists. 287 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
34 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different Dedman tracks.
Ash & Pallor → Combust · 4A → 4A · +2 BPM · 89 chemistry
31 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different Dedman tracks.
Ash & Pallor → Kepler · 4A → 4A · +2 BPM · 90 chemistry
29 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different Dedman tracks.
Morsel feat. LNO → I Dont Wanna Know · 9A → 9A · same BPM · 90 chemistry
30 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different Dedman tracks.
Dreidle → Shut It Down · 7A → 7A · +2 BPM · 90 chemistry
31 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different Dedman tracks.
Ash & Pallor → Nordwand · 4A → 4A · +4 BPM · 89 chemistry
29 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 3 different Dedman tracks.
30 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different Dedman tracks.
Morsel feat. LNO → Rumble Pilot · 9A → 9A · −1 BPM · 90 chemistry
39 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different Dedman tracks.
Morsel feat. LNO → Ghosts · 9A → 9A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dedman by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dedman, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dedman's tracks in our catalog range from 70 to 140 BPM, with a median of 113 BPM. Across 14 tracks, the most common range falls in the 115–120 BPM bucket.
Dedman's tracks are mostly in minor keys (86% minor across 14 tracks). The most common single key is 4A (F Minor) with 3 tracks.
We scored every transition between Dedman's 14 analysed tracks and every track by 12,460 other artists. 287 catalogues clear the bar by more than chance would give, and Audio, Black Sun Empire, Document One are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Ash & Pallor into Combust, 4A to 4A, 89 chemistry.
Dedman sits closest to Zoobi, Versa & Rowl, Dubbacle in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
