Artist profile
Copyright
House producer and DJ.
Compare with another artistKeep exploring
Plan a set with Copyright tracks scored against the rest of the catalog
Copyright on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
Artist profile
House producer and DJ.
Compare with another artistPlan a set with Copyright tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Copyright is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical House pocket.
Across 14 analysed tracks, Copyright sits within a few points of the House median on energy and groove.
Measured against 20,959 House tracks on 11 August 2026.
How Copyright’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical House tempo.
Across Copyright's catalog, vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Copyright’s 14 analysed tracks and every track by 12,460 other artists. 1,342 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
52 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 10 different Copyright tracks.
Late At Night feat. Lisa Millett - Souldynamic Extended Remix → Down to The Top - Cotterell Remix · 4A → 5A · same BPM · 89 chemistry
55 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 11 different Copyright tracks.
He Is feat. Song Williamson - Alaia & Gallo Extended Remix → Twlight · 8A → 8A · +1 BPM · 91 chemistry
52 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 12 different Copyright tracks.
Late At Night feat. Lisa Millett - Souldynamic Extended Remix → Never Looking Back - Sandy K.O.T. Rivera Remix · 4A → 3A · −1 BPM · 90 chemistry
58 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 11 different Copyright tracks.
He Is feat. Song Williamson - My Shelter Dub → Stars feat. Sam Sparro - Disco Version · 11B → 10B · −1 BPM · 90 chemistry
52 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 11 different Copyright tracks.
Sacrifice feat. Jody Findley → It's What We Live, It's What We Are - KenLou Mix · 9A → 8A · −1 BPM · 90 chemistry
49 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 10 different Copyright tracks.
He Is feat. Song Williamson - Alaia & Gallo Extended Remix → I Know · 8A → 7B · −2 BPM · 89 chemistry
49 of the 532 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Copyright tracks.
Sometimes → On The House - First Round · 7B → 8B · +2 BPM · 88 chemistry
57 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 12 different Copyright tracks.
Sacrifice feat. Jody Findley → Witness · 9A → 9A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Copyright by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Copyright, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Copyright's tracks in our catalog range from 118 to 126 BPM, with a median of 124 BPM. Across 14 tracks, the most common range falls in the 125–130 BPM bucket.
Copyright's tracks are mostly in minor keys (57% minor across 14 tracks). The most common single key is 8A (A Minor) with 2 tracks.
We scored every transition between Copyright's 14 analysed tracks and every track by 12,460 other artists. 1,342 catalogues clear the bar by more than chance would give, and CEV's, Daniel Steinberg, David Morales are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Late At Night feat. Lisa Millett - Souldynamic Extended Remix into Down to The Top - Cotterell Remix, 4A to 5A, 89 chemistry.
Copyright sits closest to Quentin Harris, Marc Evans, Kathy Brown in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Copyright releases spanning 2006 to 2023, with the most tracks from the 2010s.
