Artist profile
Chris Liebing is a German techno producer and DJ known for his work in deep and hypnotic techno. He has been a fixture in the electronic music scene, releasing music across various techno-focused labels and maintaining a presence as both a recording artist and live performer.
Compare with another artistPlan a set with Chris Liebing tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Chris Liebing is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Raw / Deep / Hypnotic) pocket.
Across 44 analysed tracks, Chris Liebing averages 60% energy — harder than 71% of individual Techno (Raw / Deep / Hypnotic) tracks — and 63% groove, straighter than 68%.
Measured against 10,772 Techno (Raw / Deep / Hypnotic) tracks on 11 August 2026.
Most tracks sit between 66–149 BPM with a median of 132 · predominantly minor keys (73% minor) · most common key: 5A (C Minor) with 10 tracks.
How Chris Liebing’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Raw / Deep / Hypnotic) tempo.
Across Chris Liebing's catalog, production has darkened; tempos have eased from ~137 to ~129 BPM; vocal content has thinned.
Missing one of theirs?
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We scored every transition between Chris Liebing’s 40 analysed tracks and every track by 12,460 other artists. 930 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
107 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Chris Liebing tracks.
95 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Chris Liebing tracks.
112 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different Chris Liebing tracks.
Subjective Immortality → Alfons · 5A → 5A · −2 BPM · 92 chemistry
114 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Chris Liebing tracks.
Eye C → Immersive Culture · 5A → 5A · same BPM · 93 chemistry
128 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Chris Liebing tracks.
Entangled Circuits → Moravec's Paradox · 1A → 1A · +1 BPM · 92 chemistry
109 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Chris Liebing tracks.
121 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 24 different Chris Liebing tracks.
Sup → Caging Green · 1A → 1A · +1 BPM · 89 chemistry
123 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Chris Liebing tracks.
Subjective Immortality → Torres Vedras 8am · 5A → 4B · −2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Chris Liebing by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Chris Liebing, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Chris Liebing's tracks in our catalog range from 66 to 149 BPM, with a median of 132 BPM. Across 44 tracks, the most common range falls in the 130–135 BPM bucket.
Chris Liebing's tracks are mostly in minor keys (73% minor across 44 tracks). The most common single key is 5A (C Minor) with 10 tracks.
We scored every transition between Chris Liebing's 40 analysed tracks and every track by 12,460 other artists. 930 catalogues clear the bar by more than chance would give, and Arnaud Le Texier, Deas, Hertz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Agent into Step, 5A to 5A, 93 chemistry.
Chris Liebing sits closest to Cari Lekebusch, James Ruskin, Adam Beyer in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Chris Liebing releases spanning 1997 to 2026, with the most tracks from the 2020s.