Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Too Many Nights by Future, Metro Boomin, Don Toliver is a bass-heavy Hip-Hop track at 88 BPM with moderate drive and subtle groove. At 58% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 2 Dec 2022 · 3:19 · 49% mood · -9 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
58% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Future is a trap and future bass producer known for atmospheric, bass-heavy production that blends synthesizer textures with rhythmic precision.
126
Median BPM
12A
Top key
2013–2026
Active
44
Tracks
88 BPM — squarely in hip-hop territory, mixable within roughly 83–93 BPM without pitch artefacts.
G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.
Tracks in 6A, 6B, 5A or 7A between ~83–93 BPM.
Mid-set energy builder — 58% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 88 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Chicken Talkin Bastard
BossMan Dlow
85 BPM · 7A · Hip-Hop
Adjacent key · -3 BPM — seamless blend
Girls Want Girls
Drake
87 BPM · 6A · Hip-Hop
Same key · -1 BPM — seamless blend
Wait On It (feat. Bryson Tiller & Chris Brown)
Chris Brown
83 BPM · 5B · R&B
Key jump · -5 BPM — seamless blend
Vossi Bop
Stormzy
94 BPM · 6A · Hip-Hop
Same key · +6 BPM — seamless blend
good girl
KWN
88 BPM · 6A · R&B
Same key · same BPM — seamless blend
6A → 6A
Same key, ±2 BPM. With 30% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Girls Want Girls
Drake · 87 BPM · 6A
86 chemistry
6A → 6B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Put Me on Somethin' (feat. E-40)
P-Lo · 96 BPM · 6B
85 chemistry
6A → 5A · 7A
Adjacent keys through a breakdown. This one runs 3:19 — the outro gives you a full phrase to work with.
Chicken Talkin Bastard
BossMan Dlow · 85 BPM · 7A
88 chemistry