Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Look At Me Now by Chris Brown, Busta Rhymes, Lil' Wayne is a bass-heavy Hip-Hop track at 146 BPM with high drive and balanced groove. At 68% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 22 Mar 2011 · 3:42 · 38% mood · -8 dB loudness
The feel
The bass weight is the story here — 92% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
68% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Chris Brown is a trap and future bass producer working across electronic and hip-hop production. His work spans instrumental production and beat-making within contemporary trap and experimental electronic music.
100
Median BPM
4A
Top key
2005–2026
Active
64
Tracks
146 BPM — squarely in hip-hop territory, mixable within roughly 141–151 BPM without pitch artefacts.
E Minor — 9A on the Camelot wheel. Harmonically compatible with 9B, 8A and 10A.
Tracks in 9A, 9B, 8A or 10A between ~141–151 BPM.
Mid-set energy builder — 68% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 146 BPM tracks · 9A tracks · 9A → 9B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Black Beatles
Gucci Mane
146 BPM · 9A · Hip-Hop
Same key · same BPM — seamless blend
Yeah Glo!
GloRilla
148 BPM · 9A · Hip-Hop
Same key · +2 BPM — seamless blend
Hey Ya!
Outkast
80 BPM · 9A · Hip-Hop
Same key · -66 BPM — seamless blend
COMË N GO
Yeat
145 BPM · 8A · Hip-Hop
Adjacent key · -1 BPM — seamless blend
What You Saying
Lil Uzi Vert
66 BPM · 10A · Hip-Hop
Adjacent key · -80 BPM — seamless blend
9A → 9A
Same key, ±2 BPM. With 53% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Black Beatles
Gucci Mane · 146 BPM · 9A
89 chemistry
9A → 9B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
9A → 8A · 10A
Adjacent keys through a breakdown. This one runs 3:42 — the outro gives you a full phrase to work with.
COMË N GO
Yeat · 145 BPM · 8A
86 chemistry