Artist profile
The Clamps is a drum and bass producer and DJ known for work within the genre's electronic landscape. Their output spans the broader drum and bass spectrum, contributing to the format's ongoing development through production and performance.
Compare with another artistPlan a set with The Clamps tracks scored against the rest of the catalog
The Clamps is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 44 analysed tracks, The Clamps averages 71% energy — harder than 79% of individual Drum & Bass tracks — and 39% groove, straighter than 57%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 66–190 BPM with a median of 87 · predominantly minor keys (70% minor) · most common key: 4A (F Minor) with 11 tracks.
How The Clamps’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across The Clamps's catalog, groove has thinned; tempos have climbed from ~87 to ~92 BPM; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between The Clamps’s 40 analysed tracks and every track by 12,460 other artists. 917 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
302 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different The Clamps tracks.
Discrise → Dead Stock · 7B → 7B · same BPM · 93 chemistry
298 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different The Clamps tracks.
316 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 32 different The Clamps tracks.
294 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different The Clamps tracks.
Disconnected Society - The Clamps Remix → Energie - Joe Ford Remix · 4A → 4A · +1 BPM · 91 chemistry
286 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different The Clamps tracks.
Clinch → Dinosaur Rock · 4A → 4A · +1 BPM · 93 chemistry
285 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different The Clamps tracks.
Clinch → Shredder - IHR Remix · 4A → 4A · +1 BPM · 93 chemistry
323 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different The Clamps tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to The Clamps by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Clamps, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
The Clamps's tracks in our catalog range from 66 to 190 BPM, with a median of 87 BPM. Across 44 tracks, the most common range falls in the 85–90 BPM bucket.
The Clamps's tracks are mostly in minor keys (70% minor across 44 tracks). The most common single key is 4A (F Minor) with 11 tracks.
We scored every transition between The Clamps's 40 analysed tracks and every track by 12,460 other artists. 917 catalogues clear the bar by more than chance would give, and Audio, Kanine, L Plus are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Discrise into Dead Stock, 7B to 7B, 93 chemistry.
The Clamps sits closest to Redpill, Mizo, Agressor Bunx in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has The Clamps releases spanning 2015 to 2025, with the most tracks from the 2010s.