Artist profile
1997
Bass House producer and DJ.
10 tracksBass House
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Plan a set with 1997 tracks scored against the rest of the catalog
1997 on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
Artist profile
Bass House producer and DJ.
Plan a set with 1997 tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
1997 is a high-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Bass House pocket.
Across 10 analysed tracks, 1997 averages 65% groove — straighter than 68% of individual Bass House tracks — and 64% energy, harder than 60%.
Measured against 6,041 Bass House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between 1997’s 10 analysed tracks and every track by 12,460 other artists. 80 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
27 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different 1997 tracks.
Honda - VIP → Stand Up - Extended Mix · 9A → 8A · −2 BPM · 88 chemistry
26 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different 1997 tracks.
Sentinel → Eight oh Eight · 9A → 9A · +3 BPM · 91 chemistry
21 of the 230 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 5 different 1997 tracks.
Mayhem → On My Own - Extended Mix · 9A → 9A · −2 BPM · 90 chemistry
30 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different 1997 tracks.
Sentinel → Wile Out 24 (feat. Ms Dynamite) · 9A → 8A · +1 BPM · 89 chemistry
22 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different 1997 tracks.
23 of the 330 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 7 different 1997 tracks.
Sentinel → Rock The Party · 9A → 7B · +1 BPM · 87 chemistry
37 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 7 different 1997 tracks.
20 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different 1997 tracks.
Sentinel → ¡MAS CRAZY! · 9A → 8A · +2 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to 1997 by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around 1997, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
1997's tracks in our catalog range from 119 to 140 BPM, with a median of 129 BPM. Across 10 tracks, the most common range falls in the 130–135 BPM bucket.
1997's tracks are mostly in minor keys (80% minor across 10 tracks). The most common single key is 9A (E Minor) with 3 tracks.
We scored every transition between 1997's 10 analysed tracks and every track by 12,460 other artists. 80 catalogues clear the bar by more than chance would give, and AC Slater, Brohug, CASHEW are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Honda - VIP into Stand Up - Extended Mix, 9A to 8A, 88 chemistry.
1997 sits closest to The Forecast, Nightmare Of You, Two Tongues in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
