Artist profile
Dread MC is a bass house producer and DJ known for high-energy tracks that blend heavy low-end frequencies with rhythmic precision. His work sits within the contemporary bass house landscape, characterized by driving beats and layered synth work.
Compare with another artistPlan a set with Dread MC tracks scored against the rest of the catalog
Dread MC is a moderate-energy and a bright production artist.
Sits right in the typical Bass House pocket.
Across 130 analysed tracks, Dread MC averages 56% groove — straighter than 79% of individual Bass House tracks.
Measured against 6,041 Bass House tracks on 11 August 2026.
Most tracks sit between 67–160 BPM with a median of 128 · predominantly minor keys (74% minor) · most common key: 9A (E Minor) with 14 tracks.
How Dread MC’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Bass House tempo.
Across Dread MC's catalog, tempos have climbed from ~119 to ~137 BPM; vocal content has thinned.
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We scored every transition between Dread MC’s 40 analysed tracks and every track by 12,460 other artists. 827 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
56 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 5 different Dread MC tracks.
Backchat → Way Better (feat. Minor Forms) · 3A → 4A · +1 BPM · 89 chemistry
61 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 5 different Dread MC tracks.
More and More → Better Off Alone · 11A → 11A · same BPM · 92 chemistry
62 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 5 different Dread MC tracks.
Backchat → Babalugats · 3A → 4A · +1 BPM · 92 chemistry
59 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 5 different Dread MC tracks.
Backchat → The Saboteur · 3A → 4A · same BPM · 91 chemistry
55 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 5 different Dread MC tracks.
More and More → Won't Stop · 11A → 11A · same BPM · 91 chemistry
66 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 5 different Dread MC tracks.
58 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 5 different Dread MC tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dread MC by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dread MC, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dread MC's tracks in our catalog range from 67 to 160 BPM, with a median of 128 BPM. Across 130 tracks, the most common range falls in the 130–135 BPM bucket.
Dread MC's tracks are mostly in minor keys (74% minor across 130 tracks). The most common single key is 9A (E Minor) with 14 tracks.
We scored every transition between Dread MC's 40 analysed tracks and every track by 12,460 other artists. 827 catalogues clear the bar by more than chance would give, and Amoss, Document One, Dub Phizix are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Backchat into Way Better (feat. Minor Forms), 3A to 4A, 89 chemistry.
Dread MC sits closest to WA-FU, Distinkt, Duckworthsound in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Dread MC releases spanning 2018 to 2025, with the most tracks from the 2020s.