House · 2010s — present
Bass house sits at 128 BPM at the median, with most tracks between 126 and 130 BPM. The genre's editorial range is 124–132 BPM; our catalog measures slightly tighter.
Median BPM
128
Common range
126–130
Mean
128
Tracks measured
953
953 tracks · median 128 BPM · most of the catalog sits between 126 and 130 BPM · 47 outliers removed by IQR filter.
Across 569 bass house tracks spanning 2019–2026, the median has crept up by 4.0 BPM (from 126 to 130) with the highest median in 2025 (130 BPM) and the lowest in 2020 (125 BPM).
Bass house emerged in the 2010s at 124–132 BPM as a direct response to dubstep's influence on house production. The tempo sits in the pocket where four-on-the-floor kick patterns remain locked and dancefloor-functional, while allowing producers to layer half-time and syncopated bass rhythms derived from dubstep's 140 BPM aesthetic—effectively doubling the perceived aggression without losing the house framework. Equipment constraints favored this range: drum machines and controllers handle 128 BPM swing with minimal latency, and the 8-bar phrase structure accommodates both house breakdowns and drop-driven buildups. Clubs adopted this tempo for peak-time sets where energy needed escalation beyond tech house but maintained groove over pure intensity.
Three reference points along the BPM axis for bass house, with what the position implies about the track.
Groovy side
Lower quartile — patient builds, deeper grooves, long blends.
Genre centre
Median — what most tracks in the catalog actually sound like.
Peak-time edge
Upper quartile — pushes the floor, bridges into faster neighbours.
Median BPM of bass house compared to neighbouring genres in the same family. Closer medians mean easier cross-genre transitions.
Catalog tracks within ±2 BPM of 128, sorted by popularity.
Names you’ll meet often when building bass house sets.