Artist profile
Zed Bias is a UK garage and bassline producer known for his work in the 2000s garage scene. His productions are characterized by crisp breakbeats, deep bass, and the syncopated rhythms central to the UK garage sound.
Compare with another artistPlan a set with Zed Bias tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Zed Bias is a moderate-energy — mostly instrumental artist.
Sits right in the typical UK Garage / Bassline pocket.
Across 36 analysed tracks, Zed Bias averages 48% groove — straighter than 68% of individual UK Garage / Bassline tracks — and 49% energy, gentler than 56%.
Measured against 7,890 UK Garage / Bassline tracks on 11 August 2026.
Most tracks sit between 67–162 BPM with a median of 128 · predominantly minor keys (78% minor) · most common key: 3A (B♭ Minor) with 6 tracks.
How Zed Bias’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical UK Garage / Bassline tempo.
Across Zed Bias's catalog, warmth has receded; tempos have climbed from ~120 to ~134 BPM; production has darkened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Zed Bias’s 36 analysed tracks and every track by 12,460 other artists. 407 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
50 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 19 different Zed Bias tracks.
RATBAT - Zed Bias Dirty Remix → Supercross - Groovy D Remix · 8A → 7B · +6 BPM · 88 chemistry
61 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 19 different Zed Bias tracks.
Originate - Zed Bias Remix → Hold Me · 10A → 10A · same BPM · 88 chemistry
48 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 14 different Zed Bias tracks.
London Town - 2 Step Mix → Not Today · 3A → 3A · −1 BPM · 90 chemistry
64 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 18 different Zed Bias tracks.
Chargie - Zed Bias Rework → True Sound · 7B → 7B · same BPM · 89 chemistry
64 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 20 different Zed Bias tracks.
52 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 21 different Zed Bias tracks.
Neighbourhood - Radio Mix → Basic · 8A → 8A · same BPM · 89 chemistry
59 of the 1,224 transitions between these catalogues reach 80 chemistry. Chance would give 7.0. They come from 18 different Zed Bias tracks.
Friend - Original 2 Step Mix → Temptation · 8A → 8A · same BPM · 91 chemistry
63 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 19 different Zed Bias tracks.
Subway BB → You Are the Music · 11B → 10B · −1 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Zed Bias by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Zed Bias, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Zed Bias's tracks in our catalog range from 67 to 162 BPM, with a median of 128 BPM. Across 36 tracks, the most common range falls in the 130–135 BPM bucket.
Zed Bias's tracks are mostly in minor keys (78% minor across 36 tracks). The most common single key is 3A (B♭ Minor) with 6 tracks.
We scored every transition between Zed Bias's 36 analysed tracks and every track by 12,460 other artists. 407 catalogues clear the bar by more than chance would give, and Daffy, DJ Q, Murder He Wrote are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: RATBAT - Zed Bias Dirty Remix into Supercross - Groovy D Remix, 8A to 7B, 88 chemistry.
Zed Bias sits closest to El-B, Wookie, Sunship in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Zed Bias releases spanning 2000 to 2024, with the most tracks from the 2010s.
