Artist profile
P Money is a drum and bass producer and DJ working within the genre's electronic landscape. His production spans instrumental and vocal-driven tracks across the drum and bass spectrum.
Compare with another artistPlan a set with P Money tracks scored against the rest of the catalog
P Money is a moderate-energy and a bright production — mostly instrumental artist.
Sits right in the typical Drum & Bass pocket.
Across 22 analysed tracks, P Money averages 58% energy — gentler than 67% of individual Drum & Bass tracks — and 46% groove, groovier than 64%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 65–175 BPM with a median of 119 · predominantly minor keys (68% minor) · most common key: 7A (D Minor) with 3 tracks.
How P Money’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across P Money's catalog, production has darkened; groove has thinned; tempos have climbed from ~108 to ~114 BPM.


Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between P Money’s 22 analysed tracks and every track by 12,460 other artists. 687 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
70 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 11 different P Money tracks.
Bristol Style → Should I · 7B → 8A · same BPM · 89 chemistry
70 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 10 different P Money tracks.
Bristol Style → Wolfe · 7B → 7B · same BPM · 93 chemistry
69 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 9 different P Money tracks.
So It Seems → Running · 12A → 1A · +2 BPM · 89 chemistry
83 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 10 different P Money tracks.
So It Seems → Outlaw - Drumsound & Bassline Smith Remix · 12A → 12B · +2 BPM · 89 chemistry
71 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 9 different P Money tracks.
Bristol Style → Twisting Nether · 7B → 7B · same BPM · 89 chemistry
83 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 10 different P Money tracks.
Ecstasy - Beatport Exclusive → Weirder · 7A → 7A · same BPM · 92 chemistry
82 of the 748 transitions between these catalogues reach 80 chemistry. Chance would give 4.3. They come from 10 different P Money tracks.
So It Seems → Ill Vibe - Skeptical Remix · 12A → 12A · +3 BPM · 90 chemistry
77 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 11 different P Money tracks.
Ecstasy - Beatport Exclusive → Gimme the Loot · 7A → 7A · −1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to P Money by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around P Money, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
P Money's tracks in our catalog range from 65 to 175 BPM, with a median of 119 BPM. Across 22 tracks, the most common range falls in the 120–125 BPM bucket.
P Money's tracks are mostly in minor keys (68% minor across 22 tracks). The most common single key is 7A (D Minor) with 3 tracks.
We scored every transition between P Money's 22 analysed tracks and every track by 12,460 other artists. 687 catalogues clear the bar by more than chance would give, and DJ Marky, Fourward, Friction are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Bristol Style into Should I, 7B to 8A, 89 chemistry.
P Money sits closest to Chip, D Double E, Wiley in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has P Money releases spanning 2013 to 2026, with the most tracks from the 2020s.