Artist profile
Trees of Tampa is a house music producer based in Tampa, Florida. Their work centers on deep and minimal house aesthetics.
Compare with another artistPlan a set with Trees of Tampa tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Trees of Tampa is a moderate-energy with strong groove and drive — mostly instrumental artist.
Unusually low brightness for House.
Across 10 analysed tracks, Trees of Tampa averages 65% groove — straighter than 83% of individual House tracks — and 46% energy, gentler than 62%.
Measured against 20,959 House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Trees of Tampa’s 10 analysed tracks and every track by 12,460 other artists. 230 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
39 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different Trees of Tampa tracks.
Zun → Double Rainbow · 8A → 8A · +2 BPM · 90 chemistry
34 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different Trees of Tampa tracks.
Zun → TELL ME - Quentin Harris Re-Production · 8A → 8A · same BPM · 91 chemistry
29 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different Trees of Tampa tracks.
28 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different Trees of Tampa tracks.
Mango Dreams → Hold On · 6B → 6B · −2 BPM · 87 chemistry
33 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different Trees of Tampa tracks.
Zun → Drama feat. Rimarkable feat. Dope Earth Alien - Extended Mix · 8A → 8A · +2 BPM · 88 chemistry
31 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different Trees of Tampa tracks.
Zun → Vince Montana Tribute - Louie Vega & Rick Wilhite Re-Work · 8A → 8A · +1 BPM · 90 chemistry
32 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different Trees of Tampa tracks.
Zun → Gene's First Bass Dub · 8A → 8A · −1 BPM · 90 chemistry
31 of the 380 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 6 different Trees of Tampa tracks.
Supertears → She Never Was My Friend · 7A → 7A · +1 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Trees of Tampa by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Trees of Tampa, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Trees of Tampa's tracks in our catalog range from 89 to 131 BPM, with a median of 120 BPM. Across 10 tracks, the most common range falls in the 120–125 BPM bucket.
Trees of Tampa's tracks are mostly in minor keys (60% minor across 10 tracks). The most common single key is 8A (A Minor) with 2 tracks.
We scored every transition between Trees of Tampa's 10 analysed tracks and every track by 12,460 other artists. 230 catalogues clear the bar by more than chance would give, and Daniel Steinberg, David Morales, DJ Sneak are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Zun into Double Rainbow, 8A to 8A, 90 chemistry.
Trees of Tampa sits closest to Arteforma, G combo, Juanma Salinas in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
