Artist profile
Tomas Barfod is a Danish electronic music producer working in electro house and techno. His productions are characterized by driving rhythms and layered synth work, with releases across independent and established electronic labels.
Compare with another artistPlan a set with Tomas Barfod tracks scored against the rest of the catalog
Tomas Barfod is a moderate-energy with strong groove and drive artist.
Unusually low energy and brightness for Electro House.
Across 11 analysed tracks, Tomas Barfod averages 44% energy — gentler than 92% of individual Electro House tracks — and 80% groove, groovier than 71%.
Measured against 4,792 Electro House tracks on 11 August 2026.
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We scored every transition between Tomas Barfod’s 11 analysed tracks and every track by 12,460 other artists. 219 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
27 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Tomas Barfod tracks.
Busy Baby (feat. Nina K) [KANT Remix] → Stay With Me · 9B → 9A · +2 BPM · 89 chemistry
27 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 4 different Tomas Barfod tracks.
Pulsing - Jenia Tarsol & Omri Smadar Extended Remix → Chamaniac · 9A → 9B · −1 BPM · 87 chemistry
23 of the 308 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Tomas Barfod tracks.
Busy Baby (feat. Nina K) [KANT Remix] → Ya'll Feel That? · 9B → 10A · same BPM · 89 chemistry
24 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different Tomas Barfod tracks.
My Drums - Remaster → Say What · 8B → 8B · −2 BPM · 91 chemistry
23 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different Tomas Barfod tracks.
My Drums - Remaster → Whistle Contagious · 8B → 8B · −2 BPM · 91 chemistry
23 of the 275 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 5 different Tomas Barfod tracks.
Busy Baby (feat. Nina K) [KANT Remix] → Urban Hustle - Extended Mix · 9B → 9B · same BPM · 90 chemistry
25 of the 407 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 3 different Tomas Barfod tracks.
Bell House - Jenia Tarsol & Omri Smadar Extended Remix → Jhana · 8A → 8A · −1 BPM · 92 chemistry
24 of the 418 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 3 different Tomas Barfod tracks.
Busy Baby (feat. Nina K) [KANT Remix] → On The House - First Round · 9B → 8B · +2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Tomas Barfod by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Tomas Barfod, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Tomas Barfod's tracks in our catalog range from 110 to 131 BPM, with a median of 123 BPM. Across 11 tracks, the most common range falls in the 125–130 BPM bucket.
Tomas Barfod's tracks are mostly in major keys (36% minor across 11 tracks). The most common single key is 8B (C Major) with 5 tracks.
We scored every transition between Tomas Barfod's 11 analysed tracks and every track by 12,460 other artists. 219 catalogues clear the bar by more than chance would give, and col lawton, Damon Jee, Homero Espinosa are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Busy Baby (feat. Nina K) [KANT Remix] into Stay With Me, 9B to 9A, 89 chemistry.
Tomas Barfod sits closest to Agoria, Maya Jane Coles, Oliver Koletzki in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Tomas Barfod releases spanning 2004 to 2014, with the most tracks from the 2000s.