Artist profile
Maya Jane Coles is a British electronic music producer and DJ known for her work in deep house and techno. Her productions and DJ sets are characterized by atmospheric soundscapes and intricate rhythmic arrangements that have established her presence within the electronic music community.
Compare with another artistPlan a set with Maya Jane Coles tracks scored against the rest of the catalog
Maya Jane Coles is a moderate-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Deep House pocket.
Across 74 analysed tracks, Maya Jane Coles averages 70% groove — straighter than 82% of individual Deep House tracks — and 51% energy, harder than 70%.
Measured against 22,124 Deep House tracks on 11 August 2026.
Most tracks sit between 66–156 BPM with a median of 124 · predominantly minor keys (85% minor) · most common key: 8A (A Minor) with 10 tracks.
How Maya Jane Coles’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Deep House tempo.
Across Maya Jane Coles's catalog, tempos have climbed from ~118 to ~129 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Maya Jane Coles’s 40 analysed tracks and every track by 12,460 other artists. 1,770 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
74 of the 1,320 transitions between these catalogues reach 80 chemistry. Chance would give 7.6. They come from 19 different Maya Jane Coles tracks.
I Would Fly → Colours · 8A → 8A · same BPM · 93 chemistry
80 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 18 different Maya Jane Coles tracks.
I Would Fly → Luv · 8A → 8A · −2 BPM · 91 chemistry
67 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 16 different Maya Jane Coles tracks.
What They Say → Park Avenue · 3A → 3A · same BPM · 89 chemistry
66 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 18 different Maya Jane Coles tracks.
I Would Fly → Not A Club Song (feat. Joseph Malik) - Jimpster's Unreleased Vocal Remix · 8A → 7A · same BPM · 91 chemistry
117 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 20 different Maya Jane Coles tracks.
Other Side → Serious Place · 8A → 8A · same BPM · 93 chemistry
86 of the 1,400 transitions between these catalogues reach 80 chemistry. Chance would give 8.0. They come from 18 different Maya Jane Coles tracks.
What They Say → Right Here Inside - Steve kelley Remix · 3A → 4A · same BPM · 89 chemistry
72 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 16 different Maya Jane Coles tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Maya Jane Coles by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Maya Jane Coles, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Maya Jane Coles's tracks in our catalog range from 66 to 156 BPM, with a median of 124 BPM. Across 74 tracks, the most common range falls in the 125–130 BPM bucket.
Maya Jane Coles's tracks are mostly in minor keys (85% minor across 74 tracks). The most common single key is 8A (A Minor) with 10 tracks.
We scored every transition between Maya Jane Coles's 40 analysed tracks and every track by 12,460 other artists. 1,770 catalogues clear the bar by more than chance would give, and B&S Concept, DJ Steaw, Franck Roger are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: I Would Fly into Colours, 8A to 8A, 93 chemistry.
Maya Jane Coles sits closest to Nocturnal Sunshine, Booka Shade, Hot Since 82 in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Maya Jane Coles releases spanning 2010 to 2024, with the most tracks from the 2010s.