Artist profile
Toma Kami is a bass and club music producer working within electronic and experimental dance frameworks. Their work emphasizes low-end design and rhythmic intensity across various club contexts.
Compare with another artistPlan a set with Toma Kami tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Toma Kami is a moderate-energy artist.
Sits right in the typical Bass / Club pocket.
Across 20 analysed tracks, Toma Kami averages 45% energy — gentler than 73% of individual Bass / Club tracks.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
Most tracks sit between 66–160 BPM with a median of 129 · predominantly minor keys (70% minor) · most common key: 6A (G Minor) with 3 tracks.
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We scored every transition between Toma Kami’s 20 analysed tracks and every track by 12,460 other artists. 56 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
21 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 8 different Toma Kami tracks.
Negative Extasy → Bad Sound · 8A → 8A · −3 BPM · 86 chemistry
18 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 10 different Toma Kami tracks.
Negative Extasy → Bounce 94 · 8A → 8A · +9 BPM · 83 chemistry
21 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 11 different Toma Kami tracks.
Sharp Tool in the Shed → Dream Sequence 19 · 5A → 5A · −4 BPM · 85 chemistry
26 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 10 different Toma Kami tracks.
22 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 12 different Toma Kami tracks.
16 of the 260 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 9 different Toma Kami tracks.
24 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 9 different Toma Kami tracks.
Negative Extasy → Come Thru · 8A → 8A · +3 BPM · 84 chemistry
19 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 9 different Toma Kami tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Toma Kami by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Toma Kami, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Toma Kami's tracks in our catalog range from 66 to 160 BPM, with a median of 129 BPM. Across 20 tracks, the most common range falls in the 130–135 BPM bucket.
Toma Kami's tracks are mostly in minor keys (70% minor across 20 tracks). The most common single key is 6A (G Minor) with 3 tracks.
We scored every transition between Toma Kami's 20 analysed tracks and every track by 12,460 other artists. 56 catalogues clear the bar by more than chance would give, and Al Wootton, Big Dope P, Breaka are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Negative Extasy into Bad Sound, 8A to 8A, 86 chemistry.
Toma Kami sits closest to 96 Back, Simo Cell, upsammy in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Toma Kami releases spanning 2023 to 2025, with the most tracks from the 2020s.
