Bass / Club · 2025
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Vincenzo by Toma Kami, Amor Satyr is a bass-heavy Bass / Club track at 160 BPM with moderate drive and balanced groove. At 52% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 5 Nov 2025 · 4:34 · 34% mood · -9 dB loudness
The feel
The bass weight is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
52% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Toma Kami is a bass and club music producer working within electronic and experimental dance frameworks. Their work emphasizes low-end design and rhythmic intensity across various club contexts.
129
Median BPM
6A
Top key
2023–2025
Active
20
Tracks
160 BPM — squarely in bass / club territory, mixable within roughly 155–165 BPM without pitch artefacts.
G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.
Tracks in 6A, 6B, 5A or 7A between ~155–165 BPM.
Groove sustainer — 52% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 160 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
BangOut
Aggy
160 BPM · 5A · Bass / Club
Adjacent key · same BPM — seamless blend
Distractions
Blaise Fielding
160 BPM · 6A · Bass / Club
Same key · same BPM — seamless blend
No Down
Hyas
160 BPM · 6A · Bass / Club
Same key · same BPM — seamless blend
Who Ya Gonna Kill
Stagga
160 BPM · 6A · Bass / Club
Same key · same BPM — seamless blend
Asid Groove
DJ Earl
160 BPM · 5A · Bass / Club
Adjacent key · same BPM — seamless blend
6A → 6A
Same key, ±2 BPM. With 46% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Distractions
Blaise Fielding · 160 BPM · 6A
92 chemistry
6A → 6B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
HitDat
DJ Earl · 160 BPM · 6B
88 chemistry
6A → 5A · 7A
Adjacent keys through a breakdown. This one runs 4:34 — the outro gives you a full phrase to work with.
BangOut
Aggy · 160 BPM · 5A
92 chemistry