Artist profile
Tim Ziemer is a techno producer working in peak-time and driving styles. His work spans the contemporary electronic music landscape with a focus on dancefloor-oriented compositions.
Plan a set with Tim Ziemer tracks scored against the rest of the catalog
Tim Ziemer is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 14 analysed tracks, Tim Ziemer averages 79% energy — harder than 71% of individual Techno (Peak Time / Driving) tracks — and 66% groove, straighter than 58%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Missing one of theirs?
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We scored every transition between Tim Ziemer’s 14 analysed tracks and every track by 12,460 other artists. 295 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
36 of the 504 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 11 different Tim Ziemer tracks.
37 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 9 different Tim Ziemer tracks.
34 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 12 different Tim Ziemer tracks.
37 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 12 different Tim Ziemer tracks.
Aram → The Enforcer · 10A → 11B · +1 BPM · 88 chemistry
45 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 12 different Tim Ziemer tracks.
Fast Lane → In My Soul · 7A → 8A · −1 BPM · 90 chemistry
39 of the 448 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 12 different Tim Ziemer tracks.
Syzygy → Distorted Circle · 9B → 10B · same BPM · 88 chemistry
35 of the 294 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 10 different Tim Ziemer tracks.
37 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 11 different Tim Ziemer tracks.
Sahr → State of Confusion · 5A → 4B · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Tim Ziemer by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Tim Ziemer, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Tim Ziemer's tracks in our catalog range from 101 to 138 BPM, with a median of 136 BPM. Across 14 tracks, the most common range falls in the 135–140 BPM bucket.
Tim Ziemer's tracks are mostly in major keys (36% minor across 14 tracks). The most common single key is 7B (F Major) with 3 tracks.
We scored every transition between Tim Ziemer's 14 analysed tracks and every track by 12,460 other artists. 295 catalogues clear the bar by more than chance would give, and Alex Stein, Andrea Signore, Belocca are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Syzygy into Hydra, 9B to 9B, 90 chemistry.
Tim Ziemer sits closest to Brisa (ES), Adam Beyer, Amelie Lens in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.