Artist profile
Bass House producer and DJ.
Plan a set with Thomas Krings tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Thomas Krings is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Bass House pocket.
Across 11 analysed tracks, Thomas Krings averages 63% energy — harder than 56% of individual Bass House tracks.
Measured against 6,041 Bass House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Thomas Krings’s 11 analysed tracks and every track by 12,460 other artists. 357 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
24 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Thomas Krings tracks.
Control - EitherOr Extended Remix → Fine Night · 11A → 11A · +1 BPM · 93 chemistry
27 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different Thomas Krings tracks.
26 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Thomas Krings tracks.
Day By Good → MOVING ON · 7A → 7B · same BPM · 90 chemistry
25 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different Thomas Krings tracks.
Open Over - Nuff & Lekno Remix → Groovylicious - DJ Lugo, Richie Markz Remix · 8A → 8A · −2 BPM · 90 chemistry
25 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Thomas Krings tracks.
Day By Good → Blah - Extended Mix · 7A → 8A · +1 BPM · 89 chemistry
27 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Thomas Krings tracks.
Open Over - Nuff & Lekno Remix → Pixies - Dani Sbert Remix · 8A → 8A · −1 BPM · 91 chemistry
25 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Thomas Krings tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Thomas Krings by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Thomas Krings, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Thomas Krings's tracks in our catalog range from 125 to 130 BPM, with a median of 126 BPM. Across 11 tracks, the most common range falls in the 125–130 BPM bucket.
Thomas Krings's tracks are mostly in minor keys (73% minor across 11 tracks). The most common single key is 7A (D Minor) with 4 tracks.
We scored every transition between Thomas Krings's 11 analysed tracks and every track by 12,460 other artists. 357 catalogues clear the bar by more than chance would give, and Cloonee, Cuartero, DONT BLINK are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Control - EitherOr Extended Remix into Fine Night, 11A to 11A, 93 chemistry.
Thomas Krings sits closest to Youkey, Wearetreo, Enequist in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
