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Artist profile

The Supremes

R&B producer and DJ.

5 tracksR&B· 1964–1998
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Album artwork via Spotify® and Beatport

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Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

The Supremes is a restrained and a balanced bright/warm production artist.

This artistTypical R&B
Signature sound

Unusually high vocal presence for R&B.

↑vocal presence
How this compares to R&B

Across 5 analysed tracks, The Supremes averages 33% energy — gentler than 65% of individual R&B tracks — and 51% groove, straighter than 64%.

Measured against 714 R&B tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 66–137 BPM with a median of 126 · predominantly major keys (40% minor) · most common key: 8A (A Minor) with 1 track.

BPM spread
65–69
1
95–99
1
125–129
2
135–139
1
Key distribution
1A1B2A12B3A3B4A4B5A5B6A6B17A7B8A18B9A9B110A10B111A11B12A12B

Release volume by decade

3
1960s
1
1980s
1
1990s

Tracks in catalog

5 total · sortable
You Can't Hurry Love album art
You Can't Hurry Love
The Supremes
97 BPM · 6B · R&B · 30% Warm-up
R&B
97
6B · B♭ maj
30%Warm-up
1998
Baby Love album art
Baby Love
The Supremes
137 BPM · 8A · R&B · 32% Warm-up
R&B
137
8A · A min
32%Warm-up
1965
Where Did Our Love Go album art
Where Did Our Love Go
The Supremes
66 BPM · 9B · R&B · 38% Sustainer
R&B
66
9B · G maj
38%Sustainer
1983
Come See About Me album art
Come See About Me
The Supremes
126 BPM · 10B · R&B · 31% Warm-up
R&B
126
10B · D maj
31%Warm-up
1964
You Keep Me Hangin' On album art
You Keep Me Hangin' On
The Supremes
128 BPM · 2A · Pop · 31% Warm-up
Pop
128
2A · E♭ min
31%Warm-up
1966

Missing one of theirs?

We'll add it — the artist is already in the catalogue, so it lands fast

Related artists

Top 15 by similarity

DJs and producers closest to The Supremes by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Supremes, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Diana Ross And The Supremes
100%
Not in our catalog yet
Martha Reeves & The Vandellas
53%
Not in our catalog yet
The Marvelettes
52%
Not in our catalog yet
The Miracles
51%
Not in our catalog yet
The Temptations
50%
8 tracks in catalog · R&B
The Four Tops
50%
Not in our catalog yet
Diana Ross
39%
6 tracks in catalog · R&B
Mary Wells
39%
Not in our catalog yet
The Velvelettes
36%
Not in our catalog yet
Gladys Knight & The Pips
33%
2 tracks in catalog · Nu Disco / Disco · no artist page yet
Smokey Robinson And The Miracles
33%
Not in our catalog yet
Kim Weston
32%
Not in our catalog yet
Jr. Walker & The All Stars
27%
1 track in catalog · Trap / Future Bass · no artist page yet
The Contours
26%
Not in our catalog yet
Brenda Holloway
26%
Not in our catalog yet

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does The Supremes play at?+

The Supremes's tracks in our catalog range from 66 to 137 BPM, with a median of 126 BPM. Across 5 tracks, the most common range falls in the 125–130 BPM bucket.

What key are The Supremes's tracks in?+

The Supremes's tracks are mostly in major keys (40% minor across 5 tracks). The most common single key is 8A (A Minor) with 1 track.

Which artists share an audience with The Supremes?+

The Supremes sits closest to Diana Ross And The Supremes, Martha Reeves & The Vandellas, The Marvelettes in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.

When was The Supremes most active?+

Our catalog has The Supremes releases spanning 1964 to 1998, with the most tracks from the 1960s.