Artist profile
The Streets is a UK garage and bassline producer working within the grime and electronic music landscape. The project explores the intersection of British underground dance music and urban production aesthetics.
Compare with another artistPlan a set with The Streets tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
The Streets is a moderate-energy and a balanced bright/warm production — mostly instrumental artist.
Sits right in the typical Trap / Future Bass pocket.
Across 11 analysed tracks, The Streets averages 52% groove — groovier than 73% of individual Trap / Future Bass tracks — and 52% energy, gentler than 68%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between The Streets’s 11 analysed tracks and every track by 12,460 other artists. 3 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 3 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
10 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different The Streets tracks.
If You Ever Need to Talk I'm Here → Jet Lag · 10A → 10A · double-time · 85 chemistry
10 of the 275 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 4 different The Streets tracks.
Has It Come to This? → Just Like This · 4B → 4B · same BPM · 84 chemistry
10 of the 374 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different The Streets tracks.
Has It Come to This? → Judging Me · 4B → 3B · −2 BPM · 85 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to The Streets by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Streets, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
The Streets's tracks in our catalog range from 65 to 163 BPM, with a median of 125 BPM. Across 11 tracks, the most common range falls in the 125–130 BPM bucket.
The Streets's tracks are mostly in minor keys (73% minor across 11 tracks). The most common single key is 7B (F Major) with 2 tracks.
We scored every transition between The Streets's 11 analysed tracks and every track by 12,460 other artists. 3 catalogues clear the bar by more than chance would give, and Ivy Lab, Smokey Bubblin' B, Vital Techniques are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: If You Ever Need to Talk I'm Here into Jet Lag, 10A to 10A, 85 chemistry.
The Streets sits closest to Jamie T, Dizzee Rascal, Roots Manuva in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has The Streets releases spanning 2001 to 2021, with the most tracks from the 2020s.