Artist profile
Telephones is a producer working in raw trance, crafting stripped-down, hypnotic soundscapes rooted in the genre's minimal and percussive traditions. Their work emphasizes relentless rhythmic elements and textural depth over conventional melodic structures.
Compare with another artistPlan a set with Telephones tracks scored against the rest of the catalog
Telephones is a restrained with strong groove artist.
Sits right in the typical Indie Dance pocket.
Across 12 analysed tracks, Telephones averages 38% energy — gentler than 82% of individual Indie Dance tracks — and 74% groove, straighter than 73%.
Measured against 16,726 Indie Dance tracks on 11 August 2026.
Most tracks sit between 65–146 BPM with a median of 121 · predominantly major keys (25% minor) · most common key: 8B (C Major) with 2 tracks.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Telephones’s 12 analysed tracks and every track by 12,460 other artists. 92 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
22 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 7 different Telephones tracks.
Untitled - The Island → Drawn From Memory - I:Cube Remix · 12B → 12A · same BPM · 87 chemistry
30 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 5 different Telephones tracks.
Blaff → Father Funk - Nu Disco Mix · 8B → 8B · −1 BPM · 92 chemistry
25 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 7 different Telephones tracks.
Kanal → Renard with No Regard · 6B → 7A · +1 BPM · 89 chemistry
21 of the 432 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 4 different Telephones tracks.
Untitled - The Island → 550 · 12B → 12B · −3 BPM · 89 chemistry
21 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Telephones tracks.
22 of the 396 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 3 different Telephones tracks.
Blaff → Psycho Bubble - Alejandro Molinari Remix · 8B → 8B · −3 BPM · 91 chemistry
21 of the 204 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 3 different Telephones tracks.
Lotusland - Sunrise Mix → Tremal Naik Dance · 10A → 9A · same BPM · 91 chemistry
23 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 4 different Telephones tracks.
Blaff → This Is Not The End - Man Power Remix · 8B → 8B · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Telephones by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Telephones, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Telephones's tracks in our catalog range from 65 to 146 BPM, with a median of 121 BPM. Across 12 tracks, the most common range falls in the 120–125 BPM bucket.
Telephones's tracks are mostly in major keys (25% minor across 12 tracks). The most common single key is 8B (C Major) with 2 tracks.
We scored every transition between Telephones's 12 analysed tracks and every track by 12,460 other artists. 92 catalogues clear the bar by more than chance would give, and Benjamin Fröhlich, Dionigi, Lauer are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Untitled - The Island into Drawn From Memory - I:Cube Remix, 12B to 12A, 87 chemistry.
Telephones sits closest to Øyvind Morken, Erik Skantze, Kalle, Magnus & Daniel in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Telephones releases spanning 2014 to 2020, with the most tracks from the 2020s.