Artist profile
Zombies In Miami is an indie dance artist working in electronic and synth-driven production. The project blends rhythmic minimalism with atmospheric textures, creating instrumental and vocal-driven tracks rooted in contemporary dance music sensibilities.
Compare with another artistPlan a set with Zombies In Miami tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Zombies In Miami is a moderate-energy with strong groove and drive artist.
Sits right in the typical Indie Dance pocket.
Across 46 analysed tracks, Zombies In Miami averages 44% energy — gentler than 62% of individual Indie Dance tracks — and 79% groove, straighter than 62%.
Measured against 16,726 Indie Dance tracks on 11 August 2026.
Most tracks sit between 115–160 BPM with a median of 121 · predominantly major keys (43% minor) · most common key: 9A (E Minor) with 7 tracks.
How Zombies In Miami’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Indie Dance tempo.
Across Zombies In Miami's catalog, tempos have climbed from ~120 to ~135 BPM; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Zombies In Miami’s 40 analysed tracks and every track by 12,460 other artists. 1,200 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
132 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Zombies In Miami tracks.
Flashback Mantra → Antiheroe - Rebolledo´s Cuco Heroe For Ever Version · 9A → 8B · same BPM · 92 chemistry
164 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Zombies In Miami tracks.
This Is Not The End - Man Power Remix → Father Funk - Nu Disco Mix · 8B → 8B · −1 BPM · 92 chemistry
132 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 32 different Zombies In Miami tracks.
Black Purple - Marvin & Guy Black Remix → Wave Rave · 10A → 10A · +2 BPM · 91 chemistry
145 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 28 different Zombies In Miami tracks.
Zombie Dance → Star - Extended · 9A → 9A · same BPM · 92 chemistry
129 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 27 different Zombies In Miami tracks.
On My Dreams → Microcosmo · 8A → 8A · same BPM · 91 chemistry
137 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 28 different Zombies In Miami tracks.
Forever → Welcome Rain · 12B → 12B · −1 BPM · 93 chemistry
141 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Zombies In Miami tracks.
This Is Not The End - Man Power Remix → Angola · 8B → 8B · same BPM · 91 chemistry
131 of the 1,320 transitions between these catalogues reach 80 chemistry. Chance would give 7.6. They come from 28 different Zombies In Miami tracks.
The City Of Love → Psycho Bubble - Alejandro Molinari Remix · 8B → 8B · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Zombies In Miami by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Zombies In Miami, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Zombies In Miami's tracks in our catalog range from 115 to 160 BPM, with a median of 121 BPM. Across 46 tracks, the most common range falls in the 120–125 BPM bucket.
Zombies In Miami's tracks are mostly in major keys (43% minor across 46 tracks). The most common single key is 9A (E Minor) with 7 tracks.
We scored every transition between Zombies In Miami's 40 analysed tracks and every track by 12,460 other artists. 1,200 catalogues clear the bar by more than chance would give, and Damon Jee, Dionigi, Moscoman are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Flashback Mantra into Antiheroe - Rebolledo´s Cuco Heroe For Ever Version, 9A to 8B, 92 chemistry.
Zombies In Miami sits closest to Vhyce, Roe Deers, Damon Jee in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Zombies In Miami releases spanning 2015 to 2025, with the most tracks from the 2010s.
