Artist profile
SUBSHIFT is a bass house producer working within the deeper, rhythmically complex end of the genre. Their work emphasizes layered low-end design and syncopated percussion patterns characteristic of contemporary bass house production.
Plan a set with SUBSHIFT tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
SUBSHIFT is a high-energy with strong groove and drive artist.
Sits right in the typical Bass House pocket.
Across 10 analysed tracks, SUBSHIFT averages 70% energy — harder than 73% of individual Bass House tracks — and 71% groove, straighter than 58%.
Measured against 6,041 Bass House tracks on 11 August 2026.
Missing one of theirs?
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We scored every transition between SUBSHIFT’s 10 analysed tracks and every track by 12,460 other artists. 64 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
21 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different SUBSHIFT tracks.
Disco Demon - Extended Mix → Night Bass Thing (feat. Dell Harris) · 1A → 1A · −1 BPM · 89 chemistry
24 of the 230 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 7 different SUBSHIFT tracks.
After Party → In The Way - Extended · 4A → 4A · −1 BPM · 92 chemistry
16 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 3 different SUBSHIFT tracks.
Bad B - Extended Mix → Trippin' · 7B → 7B · −2 BPM · 89 chemistry
15 of the 100 transitions between these catalogues reach 80 chemistry. Chance would give 0.6. They come from 4 different SUBSHIFT tracks.
Shutdown - Extended → Fallin' - Extended Mix · 4A → 3A · +2 BPM · 88 chemistry
16 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different SUBSHIFT tracks.
Dreamer → Like Before - Extended Mix · 9A → 9A · −2 BPM · 89 chemistry
17 of the 270 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 4 different SUBSHIFT tracks.
Dreamer → Stereo Function · 9A → 9A · same BPM · 87 chemistry
21 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 7 different SUBSHIFT tracks.
Dreamer → Back To Life · 9A → 9A · same BPM · 90 chemistry
18 of the 190 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 7 different SUBSHIFT tracks.
Shutdown - Extended → Never Enough · 4A → 5A · same BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to SUBSHIFT by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around SUBSHIFT, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
SUBSHIFT's tracks in our catalog range from 125 to 130 BPM, with a median of 126 BPM. Across 10 tracks, the most common range falls in the 125–130 BPM bucket.
SUBSHIFT's tracks are mostly in minor keys (70% minor across 10 tracks). The most common single key is 9A (E Minor) with 2 tracks.
We scored every transition between SUBSHIFT's 10 analysed tracks and every track by 12,460 other artists. 64 catalogues clear the bar by more than chance would give, and AC Slater, CASHEW, Chicks Luv Us are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Disco Demon - Extended Mix into Night Bass Thing (feat. Dell Harris), 1A to 1A, 89 chemistry.
SUBSHIFT sits closest to Kapuzen, Blank Sense, MBP in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
