Artist profile
Starkey is a producer working in trap and future bass, creating dense, textural soundscapes that blend atmospheric elements with rhythmic intensity. His work emphasizes intricate sound design and experimental production techniques within electronic music.
Compare with another artistPlan a set with Starkey tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Starkey is a high-energy with strong drive artist.
Higher drive but lower groove than typical Trap / Future Bass.
Across 11 analysed tracks, Starkey averages 22% groove — straighter than 85% of individual Trap / Future Bass tracks — and 66% energy, harder than 76%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 70–146 BPM with a median of 130 · predominantly minor keys (73% minor) · most common key: 9A (E Minor) with 3 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Starkey’s 11 analysed tracks and every track by 12,460 other artists. 2 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 2 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
10 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different Starkey tracks.
Drogue → MOTION - Deadcrow Remix · 9A → 9A · +9 BPM · 89 chemistry
10 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different Starkey tracks.
Drogue → come aliv3 (feat. Abi Flynn) · 9A → 8A · −6 BPM · 81 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Starkey by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Starkey, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Starkey's tracks in our catalog range from 70 to 146 BPM, with a median of 130 BPM. Across 11 tracks, the most common range falls in the 130–135 BPM bucket.
Starkey's tracks are mostly in minor keys (73% minor across 11 tracks). The most common single key is 9A (E Minor) with 3 tracks.
We scored every transition between Starkey's 11 analysed tracks and every track by 12,460 other artists. 2 catalogues clear the bar by more than chance would give, and Deadcrow, RL Grime are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Drogue into MOTION - Deadcrow Remix, 9A to 9A, 89 chemistry.
Starkey sits closest to Rustie, Skream, Benga in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Starkey releases spanning 2008 to 2013, with the most tracks from the 2010s.
