Artist profile
Split works in breakbeat and UK bass, producing rhythmically intricate tracks rooted in the breaks and bass traditions. The artist's approach emphasizes chopped percussion and low-end design across a focused body of work.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with Split tracks scored against the rest of the catalog
Split is a moderate-energy — mostly instrumental artist.
Sits right in the typical 140 / Deep Dubstep / Grime pocket.
Across 10 analysed tracks, Split averages 50% groove — groovier than 75% of individual 140 / Deep Dubstep / Grime tracks — and 51% energy, gentler than 67%.
Measured against 4,816 140 / Deep Dubstep / Grime tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Split’s 10 analysed tracks and every track by 12,460 other artists. 29 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
17 of the 380 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 6 different Split tracks.
Evil In Town → Smoking Blunts - Pushloop Remix · 4B → 4A · same BPM · 88 chemistry
16 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Split tracks.
Jazzy Dungeon → Tokyo Hyaku Synchronicity #76 Night Visitors · 2B → 3A · same BPM · 87 chemistry
14 of the 220 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 6 different Split tracks.
Original Raggamuffin → Reptilian Bitch - LSN Remix · 6A → 6A · same BPM · 90 chemistry
15 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Split tracks.
Demon Choirs → The Eyes - Ternion Sound Remix · 6A → 5B · same BPM · 85 chemistry
14 of the 210 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 7 different Split tracks.
Demon Choirs → Urban Gorilla feat. Juiceman · 6A → 5A · same BPM · 85 chemistry
14 of the 230 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 6 different Split tracks.
Evil In Town → Skullapse · 4B → 3B · same BPM · 87 chemistry
24 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Split tracks.
Demon Choirs → They're Coming · 6A → 6A · same BPM · 87 chemistry
14 of the 270 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 6 different Split tracks.
Demon Choirs → Synthetic Artifacts · 6A → 6B · same BPM · 86 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Split by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Split, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Split's tracks in our catalog range from 70 to 140 BPM, with a median of 135 BPM. Across 10 tracks, the most common range falls in the 135–140 BPM bucket.
Split's tracks are mostly in minor keys (50% minor across 10 tracks). The most common single key is 12B (E Major) with 2 tracks.
We scored every transition between Split's 10 analysed tracks and every track by 12,460 other artists. 29 catalogues clear the bar by more than chance would give, and Abstrakt Sonance, Cam Lasky, Chad Dubz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Evil In Town into Smoking Blunts - Pushloop Remix, 4B to 4A, 88 chemistry.
Split sits closest to EYES, Modern Life Is War, Angel Du$t in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Split releases spanning 2013 to 2014, with the most tracks from the 2010s.