Artist profile
San Holo is a producer and DJ working in trap and future bass, crafting atmospheric electronic compositions that blend melodic elements with rhythmic intensity. His work explores the intersection of experimental production and accessible dance music aesthetics.
Compare with another artistPlan a set with San Holo tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
San Holo is a high-energy — mostly instrumental artist.
Sits right in the typical Trap / Future Bass pocket.
Across 15 analysed tracks, San Holo averages 48% groove — groovier than 66% of individual Trap / Future Bass tracks — and 61% energy, harder than 64%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 75–150 BPM with a median of 136 · predominantly major keys (40% minor) · most common key: 1A (A♭ Minor) with 2 tracks.
How San Holo’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across San Holo's catalog, tempos have eased from ~150 to ~138 BPM; warmth has receded; production has brightened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between San Holo’s 15 analysed tracks and every track by 12,460 other artists. 78 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
19 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different San Holo tracks.
19 of the 435 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different San Holo tracks.
DON'T LOOK DOWN (feat. Lizzy Land) → Gorilla Glue · 1A → 12B · same BPM · 84 chemistry
21 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 6 different San Holo tracks.
DON'T LOOK DOWN (feat. Lizzy Land) → Son of a 2step · 1A → 12A · same BPM · 85 chemistry
18 of the 435 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different San Holo tracks.
16 of the 345 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 6 different San Holo tracks.
BLINDING LIGHTS → Lighters Up · 9A → 9A · +5 BPM · 86 chemistry
16 of the 465 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 7 different San Holo tracks.
I WANNA SHOW YOU → Just Dawn Hue · 10A → 9B · same BPM · 87 chemistry
15 of the 420 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 6 different San Holo tracks.
I WANNA SHOW YOU → Trippy · 10A → 11A · same BPM · 85 chemistry
19 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 8 different San Holo tracks.
I WANNA SHOW YOU → Delta · 10A → 10B · same BPM · 83 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to San Holo by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around San Holo, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
San Holo's tracks in our catalog range from 75 to 150 BPM, with a median of 136 BPM. Across 15 tracks, the most common range falls in the 135–140 BPM bucket.
San Holo's tracks are mostly in major keys (40% minor across 15 tracks). The most common single key is 1A (A♭ Minor) with 2 tracks.
We scored every transition between San Holo's 15 analysed tracks and every track by 12,460 other artists. 78 catalogues clear the bar by more than chance would give, and Deadcrow, Dirty Audio, Dr. Ozi are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: DON'T LOOK DOWN (feat. Lizzy Land) into Gorilla Glue, 1A to 12B, 84 chemistry.
San Holo sits closest to Droeloe, Taska Black, Louis The Child in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has San Holo releases spanning 2017 to 2026, with the most tracks from the 2020s.
