Artist profile
Dirty Audio is a trap and future bass producer known for dynamic, bass-heavy production and atmospheric soundscaping. Their work blends hard-hitting percussion with melodic elements, contributing to the broader electronic music landscape.
Compare with another artistPlan a set with Dirty Audio tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Dirty Audio is a high-energy and a bright production artist.
Sits right in the typical Trap / Future Bass pocket.
Across 29 analysed tracks, Dirty Audio averages 69% energy — harder than 81% of individual Trap / Future Bass tracks — and 50% groove, groovier than 69%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 73–160 BPM with a median of 145 · predominantly minor keys (69% minor) · most common key: 2A (E♭ Minor) with 9 tracks.
How Dirty Audio’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across Dirty Audio's catalog, tempos have eased from ~125 to ~94 BPM; groove has thinned; warmth has receded.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Dirty Audio’s 29 analysed tracks and every track by 12,460 other artists. 355 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
55 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 8 different Dirty Audio tracks.
What You Gonna Do → Majestic 12 · 9A → 8B · same BPM · 92 chemistry
73 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 18 different Dirty Audio tracks.
Mind → Command Execution · 9A → 9A · same BPM · 93 chemistry
51 of the 667 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 20 different Dirty Audio tracks.
Who Else → IDGAF - Extended Mix · 4A → 4A · same BPM · 93 chemistry
52 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 16 different Dirty Audio tracks.
53 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 21 different Dirty Audio tracks.
57 of the 899 transitions between these catalogues reach 80 chemistry. Chance would give 5.2. They come from 20 different Dirty Audio tracks.
No Limit feat. Bok Nero → Just Dawn Hue · 10B → 9B · same BPM · 90 chemistry
57 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 19 different Dirty Audio tracks.
No Limit feat. Bok Nero → Threat - VIP · 10B → 11A · same BPM · 90 chemistry
49 of the 812 transitions between these catalogues reach 80 chemistry. Chance would give 4.7. They come from 23 different Dirty Audio tracks.
UFO → Seven Deadly Sins · 2A → 2A · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dirty Audio by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dirty Audio, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dirty Audio's tracks in our catalog range from 73 to 160 BPM, with a median of 145 BPM. Across 29 tracks, the most common range falls in the 145–150 BPM bucket.
Dirty Audio's tracks are mostly in minor keys (69% minor across 29 tracks). The most common single key is 2A (E♭ Minor) with 9 tracks.
We scored every transition between Dirty Audio's 29 analysed tracks and every track by 12,460 other artists. 355 catalogues clear the bar by more than chance would give, and 12th Planet, Dr. Ozi, Flosstradamus are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: What You Gonna Do into Majestic 12, 9A to 8B, 92 chemistry.
Dirty Audio sits closest to Au5, soupandreas, Pegboard Nerds in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Dirty Audio releases spanning 2016 to 2025, with the most tracks from the 2010s.
