Artist profile
RMS is a drum and bass producer working within the genre's electronic and rhythmic traditions. Their output spans the darker and more technical dimensions of the sound.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with RMS tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
RMS is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 15 analysed tracks, RMS averages 35% groove — straighter than 69% of individual Drum & Bass tracks — and 64% energy, harder than 58%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between RMS’s 15 analysed tracks and every track by 12,460 other artists. 628 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
81 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 10 different RMS tracks.
Find Myself → Said & Done (feat. DRS) · 9A → 9A · same BPM · 92 chemistry
80 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 11 different RMS tracks.
Find Myself → Release Me · 9A → 9A · same BPM · 91 chemistry
78 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 12 different RMS tracks.
Streets on Lock → Babylon Step · 6B → 7A · +1 BPM · 90 chemistry
77 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 11 different RMS tracks.
74 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 12 different RMS tracks.
Streets on Lock → Break the Habit · 6B → 7A · same BPM · 92 chemistry
73 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 9 different RMS tracks.
Painstake → With My Day Saver · 2A → 2A · +1 BPM · 90 chemistry
80 of the 510 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 11 different RMS tracks.
Streets on Lock → WUT · 6B → 7A · +1.5 BPM · 92 chemistry
81 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 12 different RMS tracks.
Streets on Lock → Shut Down · 6B → 7A · +1 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to RMS by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around RMS, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
RMS's tracks in our catalog range from 86 to 175 BPM, with a median of 88 BPM. Across 15 tracks, the most common range falls in the 90–95 BPM bucket.
RMS's tracks are mostly in minor keys (67% minor across 15 tracks). The most common single key is 1A (A♭ Minor) with 2 tracks.
We scored every transition between RMS's 15 analysed tracks and every track by 12,460 other artists. 628 catalogues clear the bar by more than chance would give, and Alibi, Break, Ed:It are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Find Myself into Said & Done (feat. DRS), 9A to 9A, 92 chemistry.
RMS sits closest to Ed Solo, Document One, Caspa in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has RMS releases spanning 2017 to 2019, with the most tracks from the 2010s.
