Artist profile
Redlight is a bass house producer and DJ known for work in the UK garage and dubstep-influenced electronic music sphere. His productions blend deep house elements with heavier bass-driven rhythms characteristic of the broader bass house movement.
Compare with another artistPlan a set with Redlight tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Redlight is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Bass House pocket.
Across 42 analysed tracks, Redlight averages 60% groove — straighter than 74% of individual Bass House tracks.
Measured against 6,041 Bass House tracks on 11 August 2026.
Most tracks sit between 67–160 BPM with a median of 128 · predominantly minor keys (76% minor) · most common key: 10A (B Minor) with 9 tracks.
How Redlight’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Bass House tempo.
Across Redlight's catalog, warmth has lifted; energy has eased; groove has deepened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Redlight’s 40 analysed tracks and every track by 12,460 other artists. 260 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
30 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 15 different Redlight tracks.
Show Me (feat. Shanique Marie) → Bad Behaviour - Flava D Remix · 12A → 11A · +1 BPM · 88 chemistry
36 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 14 different Redlight tracks.
Fried Eggs → Fly · 10B → 10B · same BPM · 89 chemistry
26 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 12 different Redlight tracks.
Moon Trip - Club Mix → Say Yes - Extended Mix · 12A → 12B · same BPM · 90 chemistry
30 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 8 different Redlight tracks.
Leaf → Back It Up · 8A → 8A · same BPM · 87 chemistry
39 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 15 different Redlight tracks.
Moon Trip - Club Mix → Dens Suden · 12A → 12A · +3 BPM · 88 chemistry
33 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 10 different Redlight tracks.
Charge Up → Total Recall - Hot Goods Remix · 10A → 10A · +1 BPM · 87 chemistry
36 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 10 different Redlight tracks.
24 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 12 different Redlight tracks.
Ultra Hype → Free Your Mind · 5A → 4A · −1 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Redlight by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Redlight, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Redlight's tracks in our catalog range from 67 to 160 BPM, with a median of 128 BPM. Across 42 tracks, the most common range falls in the 130–135 BPM bucket.
Redlight's tracks are mostly in minor keys (76% minor across 42 tracks). The most common single key is 10A (B Minor) with 9 tracks.
We scored every transition between Redlight's 40 analysed tracks and every track by 12,460 other artists. 260 catalogues clear the bar by more than chance would give, and AC Slater, Brohug, BYOR are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Show Me (feat. Shanique Marie) into Bad Behaviour - Flava D Remix, 12A to 11A, 88 chemistry.
Redlight sits closest to Totally Enormous Extinct Dinosaurs, Fred Again, Lil Yachty & Overmono, Katy B in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Redlight releases spanning 2012 to 2025, with the most tracks from the 2020s.
