Artist profile
Phil Weeks is a house music producer and DJ known for his work in jackin house and deep house styles. His productions are characterized by soulful grooves and funk-inflected rhythms that draw from Chicago house traditions.
Compare with another artistPlan a set with Phil Weeks tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Phil Weeks is a moderate-energy with strong groove and a bright production artist.
Sits right in the typical Jackin House pocket.
Across 54 analysed tracks, Phil Weeks averages 40% energy — gentler than 86% of individual Jackin House tracks — and 87% groove, groovier than 63%.
Measured against 5,565 Jackin House tracks on 11 August 2026.
Most tracks sit between 65–130 BPM with a median of 124 · predominantly minor keys (80% minor) · most common key: 8A (A Minor) with 10 tracks.
How Phil Weeks’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Jackin House tempo.
Across Phil Weeks's catalog, tempos have climbed from ~107 to ~125 BPM; production has brightened; warmth has receded.
Missing one of theirs?
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We scored every transition between Phil Weeks’s 40 analysed tracks and every track by 12,460 other artists. 1,927 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
239 of the 1,320 transitions between these catalogues reach 80 chemistry. Chance would give 7.6. They come from 34 different Phil Weeks tracks.
Hools → Scat on This Funky Beat · 7A → 7A · +1 BPM · 93 chemistry
228 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 30 different Phil Weeks tracks.
Love Come Down - Dub → Do Your Thing · 8A → 8A · +1 BPM · 93 chemistry
241 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Phil Weeks tracks.
Thuggish Ruggish → Move To Groove · 2B → 3B · same BPM · 92 chemistry
326 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Phil Weeks tracks.
No Apologies → Good Thing · 4A → 4A · same BPM · 93 chemistry
228 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Phil Weeks tracks.
Candela - Instrumental Mix → The Truth - Demuir's Playboi Edit · 9A → 9A · same BPM · 93 chemistry
288 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Phil Weeks tracks.
235 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Phil Weeks tracks.
261 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different Phil Weeks tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Phil Weeks by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Phil Weeks, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Phil Weeks's tracks in our catalog range from 65 to 130 BPM, with a median of 124 BPM. Across 54 tracks, the most common range falls in the 125–130 BPM bucket.
Phil Weeks's tracks are mostly in minor keys (80% minor across 54 tracks). The most common single key is 8A (A Minor) with 10 tracks.
We scored every transition between Phil Weeks's 40 analysed tracks and every track by 12,460 other artists. 1,927 catalogues clear the bar by more than chance would give, and Agent Stereo, AtLows, Barney Osborn are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Hools into Scat on This Funky Beat, 7A to 7A, 93 chemistry.
Phil Weeks sits closest to Chris Carrier, Inland Knights, Borrowed Identity in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Phil Weeks releases spanning 2011 to 2021, with the most tracks from the 2010s.
