Artist profile
Jackin House producer and DJ.
Plan a set with AtLows tracks scored against the rest of the catalog
AtLows is a moderate-energy with strong groove and a bright production artist.
Sits right in the typical Jackin House pocket.
Across 31 analysed tracks, AtLows averages 91% groove — groovier than 77% of individual Jackin House tracks.
Measured against 5,565 Jackin House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between AtLows’s 31 analysed tracks and every track by 12,460 other artists. 1,147 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
273 of the 1,023 transitions between these catalogues reach 80 chemistry. Chance would give 5.9. They come from 30 different AtLows tracks.
Jerk Jack → Out of Place · 7A → 7A · −1 BPM · 92 chemistry
298 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 30 different AtLows tracks.
Jazz Corner → Going Home · 7A → 7A · same BPM · 93 chemistry
346 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 31 different AtLows tracks.
Jazz Nut → Disko Rumble · 8A → 8A · −1 BPM · 92 chemistry
354 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 30 different AtLows tracks.
Jerk Jack → Sounds Mad · 7A → 7A · +1 BPM · 93 chemistry
324 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 30 different AtLows tracks.
Here I Am → Groove (Sur La Piste) · 1B → 1B · same BPM · 93 chemistry
275 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 30 different AtLows tracks.
Do Your Thing → Early Days Of House · 8A → 8A · same BPM · 93 chemistry
249 of the 868 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 30 different AtLows tracks.
279 of the 961 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 31 different AtLows tracks.
Jazz Corner → About You · 7A → 7A · −1 BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to AtLows by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around AtLows, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
AtLows's tracks in our catalog range from 94 to 127 BPM, with a median of 125 BPM. Across 31 tracks, the most common range falls in the 125–130 BPM bucket.
AtLows's tracks are mostly in minor keys (68% minor across 31 tracks). The most common single key is 8A (A Minor) with 5 tracks.
We scored every transition between AtLows's 31 analysed tracks and every track by 12,460 other artists. 1,147 catalogues clear the bar by more than chance would give, and Agent Stereo, Barney Osborn, Chemars are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Jerk Jack into Out of Place, 7A to 7A, 92 chemistry.
AtLows sits closest to Filta Freqz, Turntables Night Fever, Demuir in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.