Artist profile
Breaks / Breakbeat / UK Bass producer and DJ.
Plan a set with Phasmid tracks scored against the rest of the catalog
Phasmid is a moderate-energy artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 14 analysed tracks, Phasmid averages 54% groove — groovier than 68% of individual Breaks / Breakbeat / UK Bass tracks.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Most tracks sit between 67–148 BPM with a median of 136 · predominantly major keys (43% minor) · most common key: 7B (F Major) with 3 tracks.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Phasmid’s 14 analysed tracks and every track by 12,460 other artists. 83 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
20 of the 378 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 4 different Phasmid tracks.
26 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 5 different Phasmid tracks.
20 of the 378 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 5 different Phasmid tracks.
Occult → Better Bouncer · 6A → 7A · −1 BPM · 88 chemistry
22 of the 448 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 4 different Phasmid tracks.
Occult → Don't Worry · 6A → 6A · −3 BPM · 89 chemistry
20 of the 518 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 3 different Phasmid tracks.
Occult → Work Ya Body · 6A → 5A · −7 BPM · 84 chemistry
31 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 5 different Phasmid tracks.
21 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 5 different Phasmid tracks.
23 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 5 different Phasmid tracks.
Occult → Stay Focussed · 6A → 6A · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Phasmid by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Phasmid, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Phasmid's tracks in our catalog range from 67 to 148 BPM, with a median of 136 BPM. Across 14 tracks, the most common range falls in the 135–140 BPM bucket.
Phasmid's tracks are mostly in major keys (43% minor across 14 tracks). The most common single key is 7B (F Major) with 3 tracks.
We scored every transition between Phasmid's 14 analysed tracks and every track by 12,460 other artists. 83 catalogues clear the bar by more than chance would give, and Alex Wicked, Basstyler, BeatsMe are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Occult into Millenium, 6A to 6A, 89 chemistry.
Phasmid sits closest to Aereal, Toby1, Idmonster in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.