Artist profile
BeatsMe is a breakbeat and UK bass producer working within the breaks and bassline traditions. Their work emphasizes rhythmic complexity and low-end design characteristic of the genre.
Compare with another artistPlan a set with BeatsMe tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
BeatsMe is a moderate-energy and a bright production artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 27 analysed tracks, BeatsMe averages 34% groove — straighter than 80% of individual Breaks / Breakbeat / UK Bass tracks — and 58% energy, harder than 68%.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
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We scored every transition between BeatsMe’s 27 analysed tracks and every track by 12,460 other artists. 378 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
159 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 25 different BeatsMe tracks.
FROM THA TRENCH → Evaluation · 1A → 2A · same BPM · 92 chemistry
206 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 26 different BeatsMe tracks.
MACHINE GUN → Unbreakable · 6A → 6A · same BPM · 91 chemistry
173 of the 945 transitions between these catalogues reach 80 chemistry. Chance would give 5.4. They come from 27 different BeatsMe tracks.
217 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 25 different BeatsMe tracks.
192 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 27 different BeatsMe tracks.
Follow This → Another · 8A → 8A · same BPM · 92 chemistry
157 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 27 different BeatsMe tracks.
MACHINE GUN → Fifuck · 6A → 6A · +3 BPM · 90 chemistry
155 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 26 different BeatsMe tracks.
177 of the 756 transitions between these catalogues reach 80 chemistry. Chance would give 4.3. They come from 27 different BeatsMe tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to BeatsMe by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around BeatsMe, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
BeatsMe's tracks in our catalog range from 82 to 135 BPM, with a median of 130 BPM. Across 27 tracks, the most common range falls in the 130–135 BPM bucket.
BeatsMe's tracks are mostly in minor keys (81% minor across 27 tracks). The most common single key is 4A (F Minor) with 5 tracks.
We scored every transition between BeatsMe's 27 analysed tracks and every track by 12,460 other artists. 378 catalogues clear the bar by more than chance would give, and Basstyler, Digital Base, DJ EKL are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: FROM THA TRENCH into Evaluation, 1A to 2A, 92 chemistry.
BeatsMe sits closest to SellRude, Jormek, Basstyler in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
